Useful Art

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Abdullah Ocalan
Alan Kaprow
art activism
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democratic confederalism
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Franco Berardi
Grizedale Arts
Homebaked
Homebaked Community Land Trust
Jacques Ranciere
Jeanne Van Heeswijk
Lewis Carroll
Lowick Green
Manchester Art Gallery
Mexican Farmers Collective
micro-resistance
neoliberal occupation
neoliberalism in art
Owen Griffiths
Raivo Puusemp
redefining the experience of art
reimagining the institution
School of Integration
social engagement
Tania Bruguera
Turner Prize
Ty Pawb
use value of art
useful art
what is art?
Yamaguchi Centre for Arts and Media
YCAM
Zapatismo

Product details

  • ISBN 9781526181572
  • Weight: 284g
  • Dimensions: 127 x 128mm
  • Publication Date: 20 Jan 2026
  • Publisher: Manchester University Press
  • Publication City/Country: GB
  • Product Form: Paperback
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This smart, provocative book reveals how Useful Art is changing the world.

Does art have to be beautiful? What if it can be useful instead? In this cutting-edge book, John Byrne shows how the concept of ‘Useful Art’ is helping artists and communities fight back against the neoliberal takeover of our spaces, services and lives.

Byrne demonstrates that networks of artist-led activism and community-based direct action can provide a collaborative playbook of impactful and inclusive alternatives. From Turner Prize-winning urban regeneration projects to bakeries, vegetable gardens and multi-use arts spaces, Useful Art has enormous potential for bringing people together, recovering and preserving local skills and knowledge and reclaiming artistic endeavour for real-world good.

Exploring an international selection of projects, exhibitions and activism, this important new work champions the shift from aesthetics to use value, challenging traditional ways of seeing the world symbolically through art. Reaching beyond the financial logic of the art world, Byrne shows how Useful Art can offer an artistic toolkit for implementing radical change.

John Byrne is Professor of Useful Art at Liverpool School of Art and Creative Industries. For over a decade he has been at the forefront of research into art and use value, working with world-renowned artists and curators to explore how art can resist, engage with or offer alternatives to the current conditions of global neoliberalism.

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