Uses of Excess in Visual and Material Culture, 1600–2010
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Anne Helmreich
Arnoldus Montanus
art consumption history
Bawdy Body
Biles Jeremy
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Chanda Sahib
Codell Julie
critical perspectives on excess
dorian
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Eric Weichel
Excremental Excess
Fox's India Bill
Fox’s India Bill
Gay Shame
Gemeente Museum
gender and sexuality studies
George III
Getty Research Institute
Gilbert's Plays
Gilbert’s Plays
Gindt Dirk
Gothic Imagination
gray
Home Run
John Potvin
Lana Lust
Madame De Montespan
Mary II
material culture studies
Michelle Moseley-Christian
Middle Ear Disease
Moderna Museet
Myzelev Alla
performance and identity
Ploos Van Amstel
queer theory applications
Romita Ray
Royal Academy
Royal Academy's Annual Exhibitions
Royal Academy’s Annual Exhibitions
Skelly Julia
Stanworth Karen
Toronto Daily Star
Trianon De Porcelaine
Vander Ploeg
visual culture analysis
Women's Binge Drinking
Women’s Binge Drinking
Young Men
Product details
- ISBN 9781409442370
- Weight: 839g
- Dimensions: 156 x 234mm
- Publication Date: 06 Aug 2014
- Publisher: Taylor & Francis Ltd
- Publication City/Country: GB
- Product Form: Hardback
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Directing unprecedented attention to how the idea of ’excess’ has been used by both producers and consumers of visual and material culture, this collection examines the discursive construction of excess in relation to art, material goods and people in various global contexts. The contributors illuminate how excess has been perceived, quantified and constructed, revealing in the process how beliefs about excess have changed over time and how they have remained consistent. The collection as a whole underscores the fact that the concept of excess must always be considered critically, whether in scholarship or in lived experience. Although the idea of excess has often been used to shame and degrade, many of the essays in this collection demonstrate how it has also been used as a strategy for self-fashioning, transgression and empowerment, particularly by women and queer subjects. This volume examines a range of material, including diamonds, ceramics, paintings, dollhouses, caricatures, interior design and theatrical performances. Each case study sheds new light on how excess was used in a specific cultural context, including canonical sites of study such as the Netherlands in the eighteenth century, Victorian Britain and Paris in the 1920s, and under-studied contexts such as Canada and Sweden.
Julia Skelly is an Affiliate Assistant Professor in the Department of Art History at Concordia University, Montreal, Canada, and author of Addiction and British Visual Culture, 1751-1919 - Wasted Looks (Ashgate, 2014).
