Uses of Obscurity

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A01=Allon White
Author_Allon White
Category=DSA
Category=DSBF
Category=DSBH
cultural history
English fiction 20th Century
eq_bestseller
eq_biography-true-stories
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
George Meredith studies
Henry James narrative complexity
Joseph Conrad enigma
literary criticism 19 and 20th Century
literary history 19th Century
literary opacity analysis
modernism
modernist narrative techniques
psychological realism
subtextual interpretation

Product details

  • ISBN 9781032646015
  • Weight: 370g
  • Dimensions: 138 x 216mm
  • Publication Date: 01 Oct 2025
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
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Originally published in 1981, this book examines why and how textual difficulty became a norm of modernist literature and questions how we can begin to account for the forms of obscurity and difficulty which developed in the late 19th Century and which became so important to modernism. The author argues that the decline of realism entailed the growth of ‘symptomatic’ or ‘subtextual’ reading which tended to treat fiction as compromised autobiography. This kind of reading left the author dangerously isolated and exposed in the midst of a newly sophisticated public. Within this general cultural perspective, the book traces the private anxieties that led George Meredith, Joseph Conrad and Henry James to conceal themselves within their complex and resistant fictions. It discusses opacity in the texts themselves – embarrassment and shame in Meredith; ‘engimas’ in Conrad; and the fear of vulgarity and knowledge in Henry James.

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