Using the Sky

Regular price €192.20
Quantity:
In stock with our UK publisher. 14-28 days
Delivery/Collection within 10-20 working days
14 days return policy Shipping & Delivery
A01=Deborah Hay
American Dance Therapy Association
Author_Deborah Hay
Blurry Space
Boom Boom
Boom Boom Boom
Category=ATD
Category=ATQ
Cellular Body
choreographic notation
choreographic process documentation
contemporary choreography
Cullberg Ballet
dance pedagogy
Dark Side
Deborah Hay
Downstage Left Corner
embodiment theory
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
Illustrative Body
Judson Church
McCarter Theatre
Mikhail Baryshnikov
movement improvisation
Patriotic American Song
performance studies
Project Arts Centre
Sensual Dance
Stable Instances
Waa Waa
Water Falling
Whidbey Island
White Oak Dance Project
Woof Woof

Product details

  • ISBN 9781138914353
  • Weight: 272g
  • Dimensions: 129 x 198mm
  • Publication Date: 11 Sep 2015
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
Secure checkout Fast Shipping Easy returns

In the mid 1990’s Deborah Hay’s work took a new turn. From her early experiments with untrained dancers, and after a decade of focusing on solo work, the choreographer began to explore new grounds of choreographic notation and transmission by working with experienced performers and choreographers.

Using the Sky: a dance follows a similar path as Hay’s previous books—Lamb at the Altar and My Body the Buddhist—by exploring her unrelenting quest for ways to both define and rethink her choreographic imagery through a broad range of alternately intimate, descriptive, poetic, analytical and often playful engagement with language and writing.

This book is a reflection on the experiments that Hay set up for herself and her collaborators, and the ideas she discovered while choreographing four dances, If I Sing to You (2008), No Time to Fly (2010), A Lecture on the Performance of Beauty (2003), and the solo My Choreographed Body (2014).

The works are revisited by unfolding a trove of notes and journal entries, resulting in a dance score in its own right, and providing an insight into Hay’s extensive legacy and her profound influence on the current conversations in contemporary performance arts.

More from this author