Utopia and Dissent in West Germany

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A01=Mia Lee
Air Force
Anti-aircraft Gun
artistic activism 1960s West Germany
Auschwitz Trials
Author_Mia Lee
avant-garde
Bernd Rabehl
bleierne Zeiten
Category=AB
Category=JP
Category=NHD
chronological map
Cold War
cultural politics Germany
Decent German
degenerate art
Dieter Kunzelmann
Documentary Theater
Eichmann Trial
eq_art-fashion-photography
eq_bestseller
eq_history
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eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
extraparliamentary opposition
Fluxus Artists
Fluxus movement
Frankfurt Auschwitz Trials
Fritz Teufel
Germany's National Socialist Past
Germany’s National Socialist Past
Jean Tinguely
Joseph Beuys
Modern Art
modernism
National Socialist Past
Nazi Past
political change
post-war
Postwar Art
postwar German avant-garde
radical art networks
Radical Subject Position
Rudi Dutschke
SDS Member
Situationist International
social function
Socialist German Students
Spur Artists
utopian impulse
Verlust Der Mitte
West Berlin
West German
West Germany
Wolf Vostell
Young Man
Zero Hour

Product details

  • ISBN 9781138389625
  • Weight: 453g
  • Dimensions: 156 x 234mm
  • Publication Date: 08 Jan 2019
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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Just as Chancellor Konrad Adenauer was seeking re-election on a campaign of "no experiments," art avant-garde groups in West Germany were reviving the utopian impulse to unite art and society. Utopia and Dissent in West Germany examines these groups and their legacy. Postwar artists built international as well as intergenerational networks such as Fluxus, which was active in Düsseldorf, Wiesbaden, and Cologne, and the Situationist International based in Paris. These groups were committed to undoing the compartmentalization of everyday life and the isolation of the artist in society.

And as artists recast politics to address culture and everyday life, they helped forge a path for the West German extraparliamentary left. Utopia and Dissent in West Germany traces these connections and presents a chronological map of the networks that fed into the extraparliamentary left as well as a geographical map of increasing radicalism as the locus of action shifted to West Berlin. These two maps show that in West Germany artists and their interventions in the structures of everyday life were a key starting point for challenging the postwar order.

Mia Lee is Assistant Professor of History at the National University of Singapore.

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