Value of Drawing Instruction in the Visual Arts and Across Curricula

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A01=Seymour Simmons III
arts education
arts education philosophy
Author_Seymour Simmons III
Baccio Bandinelli
Bodily Kinesthetic Intelligence
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cognition
cognitive development theory
College Art Programs
continuing education
creativity
creativity research methods
creativity theory
Discipline Based Art Education
Drawing Back
Drawing education
drawing instruction
drawing pedagogy for educators
drawing theory
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Existential Intelligence
HMS Victory
Mass Art
multiple intelligences
National Art Education Association
National Visual Arts Standards
Observational Drawing
observational learning science
Pennsylvania State University
philosophy of education
positive psychology
pre-K-12 education
Rembrandt
Rembrandt Van Rijn
RMN Grand Palais
Seymour Simmons
slow looking
Standard IQ Test
Steam
STEAM integration
Stem Subject
Studio Habit
teacher education
Vande Zande
Viktor Lowenfeld
Visual arts
visual arts education
Visual language
visual literacy skills
William Kentridge
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Zaha Hadid

Product details

  • ISBN 9780367721268
  • Weight: 720g
  • Dimensions: 152 x 229mm
  • Publication Date: 26 Sep 2022
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
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By applying philosophical and historical perspectives to drawing instruction, this volume demonstrates how diverse teaching methods contribute to cognitive and holistic development applicable within and beyond the visual arts.

Offering a new perspective on the art and science of drawing, this text reveals the often-unrecognized benefits that drawing can have on the human mind, and thus argues for the importance of drawing instruction despite, and even due to contemporary digitalization. Given the predominance of visual information and digital media, visual thinking in and through drawing may be an essential skill for the future. As such, the book counters recent declines in drawing instruction to propose five Paradigms for teaching drawing – as design, as seeing, as experience and experiment, as expression, and as a visual language – with exemplary curricula for pre-K12 art and general education, pre-professional programs across the visual arts, and continuing education. With the aid of instructional examples, this volume dispels the misconception of drawing as a talent reserved for the artistically gifted and posits it as a teachable skill that can be learned by all.

This text will be of primary interest to researchers, scholars, and doctoral students with interests in drawing theory and practice, cognition in the arts, positive psychology, creativity theory, as well as the philosophy and history of arts education. Aligning with contemporary trends such as Design Thinking, STEAM, and Graphicacy, the text will also have appeal to visual arts educators at all levels, and other educators involved in arts integration.

Seymour Simmons III is a Professor of Fine Arts Emeritus at Winthrop University, USA.

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