A01=Vito Adriaensens
Author_Vito Adriaensens
Category=ATFA
Early cinema
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
Intermediality
Painting
Photography
Silent Film
Theatre
Product details
- ISBN 9781399554176
- Dimensions: 156 x 234mm
- Publication Date: 29 Aug 2025
- Publisher: Edinburgh University Press
- Publication City/Country: GB
- Product Form: Paperback
Secure
checkout
Fast Shipping
Easy returns
Velvet Curtains and Gilded Frames explores the intermedial context of early cinema. It tackles the first European feature films' intricate relationship with its sister arts to reveal that the period referred to by historians as the "long nineteenth century" was one in which Bourgeois Realism reigned supreme. The nineteenth-century rise of the middle class coincided with realism becoming the dominant artistic mode in both form and content, leading to a revival of genre painting in the art academies; the supremacy of the social melodrama on the stage; and the advent of Pictorialism in photography. In its quest for artistic legitimacy, European filmmakers sought to win over middle-class audiences with films based on popular works of art - the first "art films" - by employing similar visual and narrative strategies as its artistic counterparts.
Vito Adriaensens is a scholar and filmmaker. He is currently Assistant Professor of Experimental Film and Media at New York University's Tisch School of the Arts.
