Venetian Canvas and the Transformation of Painting

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A01=Cleo Nisse
Accademia di
Altar
Altar cloth
Altarpiece
Andrea
Andrea gritti
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Bassano
Bellini
Canvas
Canvas painting
Carpaccio
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Cinquecento
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Del
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Doge andrea gritti
Early Modern
Egg tempera
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Finito
Fresco
Gentile
Gentile bellini
Gesso
Giovanni
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Hemp
Herringbone
Jacopo
Jacopo tintoretto
Jerome
Linen
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Lotto
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Madonna child
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Oil canvas
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Panel
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Pittura di
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Portrait
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Scuola
St ursula
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Tabby weave
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Textile
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Titian
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Venetian painting
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Product details

  • ISBN 9780691271675
  • Dimensions: 210 x 267mm
  • Publication Date: 19 May 2026
  • Publisher: Princeton University Press
  • Publication City/Country: US
  • Product Form: Hardback
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A richly illustrated investigation of how the adoption of canvas revolutionized Venetian Renaissance painting, from the Bellini and Titian to Veronese and Tintoretto

Between the fifteenth and early seventeenth centuries, European painting underwent a profound transformation as artists increasingly painted on canvas instead of wood or walls. Nowhere was more important to this shift than Venice, where painters experimented with canvas with remarkable creativity and innovation. In Venetian Canvas and the Transformation of Painting, Cleo Nisse investigates why Venetian artists adopted canvas and how it revolutionized their art between 1400 and 1600.

Intertwining approaches from art history and art conservation, and featuring stunning new photographs that show details as never before, the book presents groundbreaking research based on close study of Venetian artworks, archival sources, art-making treatises, and early modern art criticism. It sheds new light on the materiality of early modern canvas, its production and supply, and the influence of climate on its use. The book offers fresh interpretations of iconic works and important concepts such as pittura di macchia and non finito, and demonstrates how canvas contributed to the radical new style of painters such as Titian, Tintoretto, and Veronese. But above all else, it shows how canvas changed the making and meaning of paintings.

Cleo Nisse is assistant professor of early modern European art history at the University of Groningen, the Netherlands. She is the coeditor of Titian’s Poetics: Selected Essays by David Rosand. In addition to a PhD in art history from Columbia University, she holds a postgraduate degree in painting conservation from the Courtauld Institute.

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