Venetian Origins of the Commedia dell'Arte

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A01=Peter Jordan
Acrobat
Angelo Beolco
Aretino
Arlecchino
Author_Peter Jordan
Beolco
Bergamo
Carlo Goldoni
Castle Trausnitz
Category=AFKP
Category=ATD
Clown
Comedy
Commedia
Compagnie Della Calza
cultural hybridity
Della
Early Commedia
early modern theatre
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
European comic traditions
Gelosi
Giulio Pasquati
Goldone
Gozzi
Held
Henry III
Hose
Humour
Il Teatro Comico
Isabella Andreini
Italian
Italy
Jonson
La Serenissima
Laughter
Magnifico
Make Up
Mask
Mercenaria
Miles Gloriosus
Moliere
Orlando Di Lasso
Pantalon De
Pantalone
patrician plebeian collaboration
performance studies
Post-war
Recueil Fossard
Saint Ursula
Shakespeare
social satire history
Superb
Tagliacalze
Venetian comedy professionalisation
Venice
Young Men
Zan Polo
Zanni

Product details

  • ISBN 9780415698757
  • Weight: 430g
  • Dimensions: 138 x 216mm
  • Publication Date: 06 Dec 2013
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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The Venetian Origins of the Commedia dell'Arte is a striking new enquiry into the late-Renaissance stirrings of professional secular comedy in Venice, and their connection to the development of what came to be known as the Commedia dell’Arte. The book contends that through a symbiotic collaboration between patrician amateurs and plebeian professionals, innovative forms of comedy developed in the Venice region, fusing ‘high’ and ‘low’ culture in a provocative mix that had a truly mass appeal.


Rich with anecdotes, diary entries and literary – often ribald – comic passages, Peter Jordan's central argument has important implications for the study of Venetian art, popular theatre and European cultural history.

Dr Jordan has been a theatre practitioner for over thirty years, touring throughout Europe and elsewhere, performing in English, Italian and Cantonese. He was a founder member of the Fortunati and an actor with TAG Teatro of Venice. He has variously acted in, directed and translated plays by Goldoni, Ruzante, Molière, Marivaux and Shakespeare. As an instructor, he has worked at a number of leading drama schools and universities, and was for many years Head of Acting at the Hong Kong Academy for Performing Arts. Apart from his acting and directing credits, his professional portfolio also includes fight direction, movement choreography, script development, musical performance and composition. His productions have toured to Canada and Australia. In recent years, he directed and composed for award-winning versions of Les Misérables, Cyrano de Bergerac and Friedrich Dürrenmatt’s The Visit, as well as directing the world premiere of Ho Chi Minh in Hong Kong.

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