Venice and the Cultural Imagination

Regular price €65.99
Quantity:
In stock with our UK publisher. 14-28 days
Delivery/Collection within 10-20 working days
14 days return policy Shipping & Delivery
Act III
artistic heritage research case study
artistic legacy studies
Aspern Papers
Beloved Existence
canal
Canto III
Canto IV
Cappella Sistina
Category=AB
Category=DSB
Category=NHTB
Category=WTL
childe
Childe Harold's Pilgrimage
Childe Harold’s Pilgrimage
Chopin
Dramma Giocoso
Du Maurier
eq_art-fashion-photography
eq_bestseller
eq_biography-true-stories
eq_history
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_travel
from
Fryderyk Chopin
Gau Tier
grand
harolds
historical mythmaking
Inquisitori Di Stato
interdisciplinary cultural analysis
italy
La Cambiale Di Matrimonio
La Fenice
literary depictions Europe
Lord Mark
Lume Spento
Marino Faliero
pictures
pilgrimage
Romeo Und Julia Auf Dem
Rose La
Santa Maria Dei Miracoli
Sea Water
St Elizabeths
Und Julia Auf Dem Dorfe
venetian
views
visual arts influence
Western cultural representation
Young Men

Product details

  • ISBN 9781138661561
  • Weight: 410g
  • Dimensions: 156 x 234mm
  • Publication Date: 21 Jan 2016
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
Secure checkout Fast Shipping Easy returns
In the era of the Grand Tour, Venice was the cultural jewel in the crown of Europe and the epitome of decadence. This edited collection of eleven essays draws on a range of disciplines and approaches to ask how Venice’s appeal has affected Western culture since 1800.

Michael O’Neill is Professor of English at Durham University, UK. His books include The Human Mind’s Imaginings: Conflict and Achievement in Shelley’s Poetry (1989) and, as co-editor, The Oxford Handbook of Percy Bysshe Shelley (2013), as well as three volumes of poetry, the last of which was Gangs of Shadow (2014). Mark Sandy is Reader in English Studies at Durham University, UK. He is author of Romanticism, Memory, and Mourning (2013) and Poetics of Self and Form in Keats and Shelley: Nietzschean Subjectivity and Genre (2005). Sarah Wootton is Senior Lecturer in English Studies at Durham University, UK. She has published widely on nineteenth-century literature and the visual arts, and is the author of Consuming Keats: Nineteenth-Century Representations in Art and Literature (2006) and Byronic Heroes in Nineteenth-Century Women’s Writing and Screen Adaptation (2016).