Venice and the Ottoman Empire

Regular price €62.99
Quantity:
In stock with our UK publisher. 14-28 days
Delivery/Collection within 10-20 working days
14 days return policy Shipping & Delivery
A01=Stefano Carboni
adventure
Age Group_Uncategorized
Age Group_Uncategorized
anthropology
architecture
art
art book
art books
art history
artists
arts
artwork
Author_Stefano Carboni
automatic-update
biography
Category1=Non-Fiction
Category=AC
Category=AGA
Category=AGC
Category=HBJD
Category=HBLH
Category=NHDL
church
cities
classic
cookbook
cookbooks
COP=United States
Delivery_Pre-order
design
england
eq_art-fashion-photography
eq_bestseller
eq_history
eq_isMigrated=2
eq_nobargain
eq_non-fiction
essays
european history
food
french
gifts for history buffs
guide
historical
historical books
historical romance
history
history books
history buff gifts
history gifts
history lovers gifts
history teacher gifts
italian history
Language_English
love
medieval
music
mystery
opera
PA=Not yet available
Price_€50 to €100
PS=Forthcoming
renaissance
rome
royalty
softlaunch
translation
travel book
travel writing
venice
wine
world history

Product details

  • ISBN 9780847838790
  • Dimensions: 241 x 292mm
  • Publication Date: 29 Oct 2024
  • Publisher: Rizzoli International Publications
  • Publication City/Country: US
  • Product Form: Hardback
  • Language: English
Secure checkout Fast Shipping Easy returns
From the early Renaissance to the end of the eighteenth century, Venice held a central position in the global trade network. This book explores how artistic and cultural ideas originating in the Ottoman Empire arrived in Venice and were reinterpreted through the decorative arts, printed books, painting, drawing, and architecture. Featuring a richly diverse selection from the collections of the Musei Civici di Venezia, this volume showcases the creative contributions of well-known Venetian artists such as Vittore Carpaccio, Gentile Bellini, Michele Giambono, and Mariano Fortuny alongside works created by the best anonymous craftspeople both in Venice and the Ottoman Empire, including textiles, metalwork, armor, and ceramics. With newly researched essays by esteemed international scholars on topics such as trade routes, the involvement of international communities in Venice, diplomatic interactions, and military power dynamics, this important volume offers freshly reviewed and new perspectives on the intricate artistic relationship that existed between Venice and the Ottoman Empire.
Stefano Carboni was the inaugural CEO of the Museums Commission of the Ministry of Culture of the Kingdom of Saudi Arabia (2019 23); director and CEO of the Art Gallery of Western Australia (2008 19); and curator and administrator in the Department of Islamic Art at the Metropolitan Museum of Art (1992 2008). He is adjunct professor at the University of Western Australia.

More from this author