Venice Biennale and the Asia-Pacific in the Global Art World

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20th Century Art
A01=Stephen Naylor
Apinan Poshyananda
art and politics
art history
art industry
art market
art trends
Asia
Asia Pacific Triennial
Asia-Pacific art history
Australia
Australia Council
Australian Contemporary Art
Australian Pavilion
Author_Stephen Naylor
Biennale Authorities
Biennale culture
Biennalization
Category=AB
Category=AGA
Category=GLZ
Category=NHF
Central Pavilion
Chen Yifei
China
contemporary art
contemporary art theory
cultural policy analysis
curatorial practice research
curatorial studies
Enzo Cucchi
eq_art-fashion-photography
eq_bestseller
eq_history
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
exhibition history
exhibition studies
geopolitics of art biennials
global art events
global art exhibitions
Global Art World
globalization
globalization of the art industry
Gwangju Biennale
India
Japan
Japanese Pavilion
Lace Makers
modern art
national pavilion strategies
National Pavilions
Pacific
Paul Gauguin
Philip Cox
Pink Man
Qiu Zhijie
Rodolfo Pallucchini
Severe Acute Respiratory Syndrome Virus
Sleeping Project
Taipei Fine Arts Museum
Triennial Cycle
Venice Biennale
Wu Wenguang

Product details

  • ISBN 9781138480780
  • Weight: 671g
  • Dimensions: 174 x 246mm
  • Publication Date: 04 Jun 2020
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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This monograph uses the national pavilions of the Venice Biennale as a vehicle to examine the development of international contemporary art trends within the Asia-Pacific region, including Australia, Japan and Korea and 16 additional national entities who have had less continuous participation in this global art event.

Analysing both the spatial and visual representation of contemporary art presented at the Venice Biennale and incorporating the politics behind national selections, this monograph provides insights into a range of important elements of the global art industry. Areas analysed include national cultural trends and strategies, the inversion of the peripheral to the centre stage of the Biennale, geopolitics in gaining exhibition space at the Venice Biennale, curatorial practices for contemporary art presentation and artistic trends that seek to deal with major economic, cultural, religious and environmental issues emerging from non-European art centres.

This monograph will be of interest to scholars in art history, museum studies and Asia-Pacific cultural history.

Stephen Naylor is a professor at James Cook University Australia and currently holds the position of chair, Academic Board.

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