Venus’s Palace

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A01=Reut Barzilai
actor audience ethics
Antitheatrical Arguments
Antitheatrical Discourse
Antitheatrical Prejudice
Antitheatrical Tract
Author_Reut Barzilai
Betrothal Masque
Category=ATD
Category=DDA
Category=DSG
Category=JBCC1
Category=NHD
Category=NHTB
cultural anxieties theatre
Early Modern
early modern drama
Early Modern England
Early Modern English
Early Modern English Playwrights
Early Modern English Theater
English Renaissance literature
eq_art-fashion-photography
eq_bestseller
eq_biography-true-stories
eq_history
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_poetry
eq_society-politics
ethical implications of theatrical performance
Inexplicable Dumb Shows
John Rainolds
media effects spectatorship
Midsummer Night's Dream
Nunnery Scene
Opening Tempest
performance theory
Pipers
Public Playhouse
Refuse Sort
Renaissance Theater
Shakespeare's Engagement
Sidney's Defense
Venus's Palace
Vice Versa
Young Men

Product details

  • ISBN 9781032442266
  • Weight: 300g
  • Dimensions: 156 x 234mm
  • Publication Date: 08 Oct 2024
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
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This book lays bare the dialogue between Shakespeare and critics of the stage and positions it as part of an ongoing cultural, ethical, and psychological debate about the effects of performance on actors and on spectators. In so doing, the book makes a substantial contribution both to the study of representations of theatre in Shakespeare’s plays and to the understanding of ethical concerns about acting and spectating—then, and now.

The book opens with a comprehensive and coherent analysis of the main early modern English anxieties about theater and its power. These are read against twentieth- and twenty-first-century theories of acting, interviews with actors, and research into the effects of media representation on spectator behaviour, all of which demonstrate the lingering relevance of antitheatrical claims and the personal and philosophical implications of acting and spectating. The main part of the book reveals Shakespeare’s responses to major antitheatrical claims about the powerful effects of poetry, music, playacting, and playgoing. It also demonstrates the evolution of Shakespeare’s view of these claims over the course of his career: from light-hearted parody in A Midsummer Night’s Dream, through systematic contemplation in Hamlet, to acceptance and dramatization in The Tempest.

This study will be of great interest to scholars and students of theater, English literature, history, and culture.

Reut Barzilai is a lecturer at the University of Haifa, Israel. She has published articles in the academic journals Shakespeare and Multicultural Shakespeare and written several study guides on Shakespeare for the Open University.

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