Verdi�s Exceptional Women: Giuseppina Strepponi and Teresa Stolz

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A01=Caroline Ellsmore
Act III
Aida
Alessandro Manzoni
Antonio Barezzi
Author_Caroline Ellsmore
Carlo Tenca
Caroline Anne Ellsmore
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Dumas Fils
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female influence on composer careers
Francesco Hayez
gender power dynamics
Giorgio Ronconi
Giulio Ricordi
Giuseppina Strepponi
Il Corsaro
Il Trovatore
La Dame Aux
La Fenice
La Traviata
Lombardi Alla Prima Crociata
Lucia Di Lammermoor
Luisa Miller
Machismo
nineteenth-century Italian opera
operatic diva stereotypes
Preime Donne
primary source letters analysis
Salotto
socio-sexual structures Italy
Teatro Della Pergola
Teresa Stolz
Tito Ricordi
Verdi
Verdi's Career
Verdi's Correspondence
Verdi's Letter
Verdi's Life
Verdi's Relationships
Verdi’s Career
Verdi’s Correspondence
Verdi’s Letter
Verdi’s Life
Verdi’s Relationships
women in music history
Young Man

Product details

  • ISBN 9780367888534
  • Weight: 453g
  • Dimensions: 156 x 234mm
  • Publication Date: 12 Dec 2019
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
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This investigation offers new perspectives on Giuseppe Verdi’s attitudes to women and the functions which they fulfilled for him. The book explores Verdi’s professional and personal relationship with women who were exceptional within the traditional socio-sexual structure of patria potestà, in the context of women’s changing status in nineteenth-century Italian society. It focusses on two women; the singers Giuseppina Strepponi, who supported and enhanced Verdi’s creativity at the beginning of his professional life and Teresa Stolz, who sustained his sense of self-worth at its end. Each was an essential emotional benefactor without whom Verdi’s career would not have been the same. The subject of the Strepponi-Verdi marriage and the impact of Strepponi’s past deserve further detailed and nuanced discussion. This book demonstrates Verdi’s shifting power-balance with Strepponi as she sought to retain intellectual self-respect while his success and control increased. The negative stereotypes concerning operatic ‘divas’ do not withstand scrutiny when applied either to Strepponi or to Stolz. This book presents a revisionist appraisal of Stolz through close examination of her letters. Revealing Stolz’s value to Verdi, they also provide contemporary operatic criticism and behind-the-scenes comment, some excerpts of which are published here in English for the first time.

Caroline Anne Ellsmore completed her PhD in Musicology at the University of Melbourne, under Professors Kerry Murphy and Elizabeth Hudson. A singer and teacher of voice, Caroline has also been head of secondary school Music departments in New South Wales and Victoria. She has presented conference papers throughout Australia and in Vancouver, for the American Musicological Society, in 2016.

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