Verrocchio

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Altarpiece
Andrea del Verrocchio
Antonio del Pollaiolo
Antonio Rossellino
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Baptistery
Bargello
Bartolomeo Colleoni
Bartolomeo della Gatta
Bembo
Benozzo Gozzoli
Bernardo Rossellino
Bertoldo di Giovanni
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Chiaroscuro
Colleoni
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Cosimo de' Medici
Davide Ghirlandaio
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Desiderio da Settignano
Domenico Ghirlandaio
Donatello
Drapery
Drawing
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Fra Angelico
Ghirlandaio
Giambologna
Ginevra de' Benci
Giorgio Vasari
Giovanni Bellini
Giovanni Morelli
Gouache
Grisaille
Hans Memling
Hatching
Head of a Woman (Leonardo)
High Renaissance
Horse and Rider (Leonardo da Vinci)
Horse Tamers
Jan van Eyck
Jonathan Richardson
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Leonardo da Vinci
Lippi
Lithopone
Lorenzetto
Lorenzo de' Medici
Lorenzo di Credi
Lorenzo Ghiberti
Luca della Robbia
Luigi Pulci
Madonna of the Carnation
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Medici Madonna
Michelozzo
Mino da Fiesole
National Gallery of Art
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Putto
Sandro Botticelli
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Tempera
Terracotta
The Beheading of Saint John the Baptist (Caravaggio)
Tobias and the Angel (Verrocchio)
Uffizi
Underdrawing
Verdaccio

Product details

  • ISBN 9780691233086
  • Dimensions: 235 x 298mm
  • Publication Date: 28 Sep 2021
  • Publisher: Princeton University Press
  • Publication City/Country: US
  • Product Form: Hardback
  • Language: English
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A comprehensive survey of the work of this most influential Florentine artist and teacher

Andrea del Verrocchio (c. 1435–1488) was one of the most versatile and inventive artists of the Italian Renaissance. He created art across media, from his spectacular sculptures and paintings to his work in goldsmithing, architecture, and engineering. His expressive, confident drawings provide a key point of contact between sculpture and painting. He led a vibrant workshop where he taught young artists who later became some of the greatest painters of the period, including Leonardo da Vinci, Sandro Botticelli, Lorenzo di Credi, and Domenico Ghirlandaio.

This beautifully illustrated book presents a comprehensive survey of Verrocchio's art, spanning his entire career and featuring some fifty sculptures, paintings, and drawings, in addition to works he created with his students. Through incisive scholarly essays, in-depth catalog entries, and breathtaking illustrations, this volume draws on the latest research in art history to show why Verrocchio was one of the most innovative and influential of all Florentine artists.

Published in association with the National Gallery of Art, Washington, DC

Andrew Butterfield is an independent scholar. His books include Donatello in Motion and Body and Soul: Masterpieces of Italian Renaissance and Baroque Sculpture.