Vertigo Comics

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A01=Isabelle Licari-Guillaume
Alan Moore
Author_Isabelle Licari-Guillaume
Berger Books
British comics
British Creators
British Invasion
British literature
British writers US comics collaboration
Category=DSBH
CBR
comic book art
Comic Book Creators
Comic Book Writer
comic books
Comics
comics cultural history
comics industry transformation
Common Language
Corporate Requirements
cultural history
cultural legitimation processes
Dave Gibbons
DC
DC Comic
DC Universe
Doom Patrol
eq_bestseller
eq_biography-true-stories
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
graphic narrative studies
graphic novels
King Mob
narratology
national identity in comics
Neil Gaiman
Roy Lichtenstein
Serial Killer
Superhero Comics
Superhero Genre
Swamp Thing
TPB
Trade Paperback
transatlantic publishing
Tv Adaptation
UK Creator
Vertigo
Vertigo imprint
Vertigo imprint DC
When Johnny Comes Marching Home

Product details

  • ISBN 9780367672775
  • Weight: 453g
  • Dimensions: 156 x 234mm
  • Publication Date: 30 Aug 2022
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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This book explores the so-called "British Invasion" of DC Comics’ Vertigo imprint, which played an important role in redefining the mainstream comics industry in the US during the early 1990s.

Focusing on British creators within Vertigo, this study traces the evolution of the line from its creation in 1993 to its demise in 2019. Through an approach grounded in cultural history, the book disentangles the imprint’s complex roots, showing how editors channelled the potential of its British writers at a time of deep-seated economic and cultural change within the comics industry, and promoted a sense of cohesion across titles that defied categories. The author also delves into lesser-known aspects of the Invasion, exploring less-canonical periods and creators that are often eclipsed by Vertigo’s early star writers.

An innovative contribution on a key element of comic book history, this volume will appeal both to researchers of Vertigo scholarship and to fans of the imprint. It will also be an essential read for those interested in transatlantic collaborations and exchanges in the entertainment industry, processes of cultural legitimation and cultural hierarchies, and to anyone working on the representation of national and social identities.

Isabelle Licari-Guillaume is Lecturer in Anglophone Studies at Université Côte d'Azur, France. She specialises in the study of popular culture and graphic narratives.

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