Victorian Artists' Autograph Replicas

Regular price €192.20
Quantity:
In stock with our UK publisher. 14-28 days
Delivery/Collection within 10-20 working days
14 days return policy Shipping & Delivery
Abraham Solomon
Albert Moore
Annie Swynnerton
art history
art market
aura
authenticity
Beata Beatrix
Britain
British art
British artists
Burne Jones's Work
Burne Jones’s Work
Castle Museum And Art Gallery
Category=AGA
celebrity
collecting
collectors
collectors and patronage
commerce
copyright in visual arts
creativity
Dante Gabriel Rossetti
David Roberts
dealers
demand
Edward Coley Burne-Jones
Elizabeth Butler
England
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
Fine Arts Copyright Act
Fogg Museum
Ford Madox Brown
Frank Holl
Full Size Versions
G. F. Watts
Gilded Age
globalization
Grosvenor Gallery
Harvard Art Museums
Hireling Shepherd
James Tissot
John Everett Millais
John Frederick Lewis
Laus Veneris
Manchester Art Gallery
MS Bodleian Library
museum acquisition history
museums
National Museums Liverpool
nineteenth century
nineteenth century painting
Oil On Canvas
original
originality
painting
painting's subsequent versions
pastiche
patrons
Pre-Raphaelite studies
Ramsgate Sands
replica production in Victorian era
replicas
Richard Dadd
Rosa Bonheur
Royal Academy
Royal Academy Exhibition
supply
transatlantic art trade
United Kingdom
US public museums
Venus Verticordia
Victorian art
Victorian Art World
Victorian era
Walker Art Gallery
Walters Art Museum
William Powell Frith
William T. Walters
women artists
York Art Gallery
Young Man

Product details

  • ISBN 9780367145828
  • Weight: 740g
  • Dimensions: 174 x 246mm
  • Publication Date: 26 May 2020
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
Secure checkout Fast Shipping Easy returns

This book is a wide-ranging exploration of the production of Victorian art autograph replicas, a painting’s subsequent versions created by the same artist who painted the first version.

Autograph replicas were considered originals, not copies, and were highly valued by collectors in Britain, America, Japan, Australia, and South Africa. Motivated by complex combinations of aesthetic and commercial interests, replicas generated a global, and especially transatlantic, market between the 1870s and the 1940s, and almost all collected replicas were eventually donated to US public museums, giving replicas authority in matters of public taste and museums’ modern cultural roles.

This book will be of interest to scholars in art history, museum studies, and economic history.

Julie F. Codell is Professor of Art History at Arizona State University, and affiliate faculty in the Asian Research Center, and Film and Media Studies.