Victorian Artists' Autograph Replicas

Regular price €49.99
Abraham Solomon
Age Group_Uncategorized
Age Group_Uncategorized
Albert Moore
Annie Swynnerton
art history
art market
aura
authenticity
automatic-update
B01=Julie F. Codell
Beata Beatrix
Britain
British art
British artists
Burne Jones’s Work
Castle Museum And Art Gallery
Category1=Non-Fiction
Category=AB
Category=ACV
Category=AGA
Category=GM
Category=HBJD1
Category=KCZ
Category=KJM
celebrity
collecting
collectors
commerce
COP=United Kingdom
creativity
Dante Gabriel Rossetti
David Roberts
dealers
Delivery_Pre-order
demand
Edward Coley Burne-Jones
Elizabeth Butler
England
eq_art-fashion-photography
eq_isMigrated=2
eq_new_release
eq_non-fiction
Fine Arts Copyright Act
Fogg Museum
Ford Madox Brown
Frank Holl
Full Size Versions
G. F. Watts
Gilded Age
globalization
Grosvenor Gallery
Harvard Art Museums
Hireling Shepherd
James Tissot
John Everett Millais
John Frederick Lewis
Language_English
Laus Veneris
Manchester Art Gallery
MS Bodleian Library
museums
National Museums Liverpool
nineteenth century
Oil On Canvas
original
originality
PA=Not yet available
painting
painting's subsequent versions
pastiche
patrons
Price_€20 to €50
PS=Forthcoming
Ramsgate Sands
replicas
Richard Dadd
Rosa Bonheur
Royal Academy
Royal Academy Exhibition
softlaunch
supply
United Kingdom
US public museums
Venus Verticordia
Victorian art
Victorian Art World
Victorian era
Walker Art Gallery
Walters Art Museum
William Powell Frith
William T. Walters
women artists
York Art Gallery
Young Man

Product details

  • ISBN 9781032922515
  • Weight: 580g
  • Dimensions: 174 x 246mm
  • Publication Date: 14 Oct 2024
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
  • Language: English
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This book is a wide-ranging exploration of the production of Victorian art autograph replicas, a painting’s subsequent versions created by the same artist who painted the first version.

Autograph replicas were considered originals, not copies, and were highly valued by collectors in Britain, America, Japan, Australia, and South Africa. Motivated by complex combinations of aesthetic and commercial interests, replicas generated a global, and especially transatlantic, market between the 1870s and the 1940s, and almost all collected replicas were eventually donated to US public museums, giving replicas authority in matters of public taste and museums’ modern cultural roles.

This book will be of interest to scholars in art history, museum studies, and economic history.

Julie F. Codell is Professor of Art History at Arizona State University, and affiliate faculty in the Asian Research Center, and Film and Media Studies.