Victorian Reformations

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"high" theological and historical debates
19th century
A01=Miriam Elizabeth Burstein
and anti-Catholicism
Author_Miriam Elizabeth Burstein
Category1=Non-Fiction
Category=DSBF
Category=NL-DS
Category=NL-HR
Category=QRAM
Catholic Emancipation
Catholicism
church history
COP=United States
cultural history
eq_bestseller
eq_biography-true-stories
eq_isMigrated=2
eq_nobargain
eq_non-fiction
fiction
Format=BC
IMPN=University of Notre Dame Press
ISBN13=9780268022389
Language_English
literature
nineteenth century
PA=Available
PD=20131230
POP=Notre Dame IN
popular genres
popularized
Price=€20 to €50
PS=Active
PUB=University of Notre Dame Press
Reformation
religion
religious historical novel
Subject=Literature: History & Criticism
Subject=Religion & Beliefs
Victorian evangelism
Victorian religious fiction
Victorians

Product details

  • ISBN 9780268022389
  • Weight: 461g
  • Dimensions: 152 x 229mm
  • Publication Date: 30 Dec 2013
  • Publisher: University of Notre Dame Press
  • Publication City/Country: Notre Dame IN, US
  • Product Form: Paperback
  • Language: English
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In Victorian Reformations: Historical Fiction and Religious Controversy, 1820-1900, Miriam Elizabeth Burstein analyzes the ways in which Christian novelists across the denominational spectrum laid claim to popular genres—most importantly, the religious historical novel—to narrate the aftershocks of 1829, the year of Catholic Emancipation. Both Protestant and Catholic popular novelists fought over the ramifications of nineteenth-century Catholic toleration for the legacy of the Reformation. But despite the vast textual range of this genre, it remains virtually unknown in literary studies. Victorian Reformations is the first book to analyze how "high" theological and historical debates over the Reformation's significance were popularized through the increasingly profitable venue of Victorian religious fiction. By putting religious apologists and controversialists at center stage, Burstein insists that such fiction—frequently dismissed as overly simplistic or didactic—is essential for our understanding of Victorian popular theology, history, and historical novels. Burstein reads "lost" but once exceptionally popular religious novels—for example, by Elizabeth Rundle Charles, Lady Georgiana Fullerton, and Emily Sarah Holt—against the works of such now-canonical figures as Sir Walter Scott, Charles Dickens, and George Eliot, while also drawing on material from contemporary sermons, histories, and periodicals. Burstein demonstrates how these novels, which popularized Christian visions of change for a mass readership, call into question our assumptions about the nineteenth-century historical novel. In addition, her research and her conceptual frameworks have the potential to influence broader paradigms in Victorian studies and novel criticism.

Miriam Elizabeth Burstein is associate professor of English at the College at Brockport, State University of New York. She is the author of Narrating Women's History in Britain, 1770–1902.

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