Victorian Sensation

Regular price €34.99
A01=James A. Secord
anonymity
apprentice
astronomy
Author_James A. Secord
blasphemy
british museum
Category=DSBF
Category=NHD
Category=WN
christianity
church
controversy
darwin
economics
england
eq_bestseller
eq_biography-true-stories
eq_history
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
factory town
gentility
geology
heresy
industrial era
knowledge production
library
marketing
nonfiction
prince albert
print culture
psychology
publication
queen victoria
religion
science
scientific debate
solar system
vestiges of the natural history creation
victorian

Product details

  • ISBN 9780226744117
  • Weight: 992g
  • Dimensions: 16 x 23mm
  • Publication Date: 20 Oct 2003
  • Publisher: The University of Chicago Press
  • Publication City/Country: US
  • Product Form: Paperback
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Fiction or philosophy, profound knowledge or shocking heresy? When "Vestiges of the Natural History of Creation" was published anonymously in 1844, it sparked one of the greatest sensations of the Victorian era. Thousands of readers were spellbound by its startling vision - an account of the world that extended from the formation of the solar system to the spiritual destiny of humanity. The book was banned, it was damned, it was hailed as the gospel for a new age. In this cultural history, James Secord uses the story of "Vestiges" to create a panoramic portrait of life in the early industrial era from the perspective of its readers. We join apprentices in a factory town as they debate the consequences of an evolutionary ancestry. We listen as Prince Albert reads aloud to Queen Victoria from a book that preachers denounced as blasphemy vomited from the mouth of Satan. And we watch as Charles Darwin turns its pages in the flea-ridden British Museum library, fearful for the fate of his own unpublished theory of evolution. Using secret letters, Secord reveals how "Vestiges" was written and how the anonymity of its author was maintained for 40 years. He also takes us behind the scenes to a bustling world of publishers, printers, and booksellers to show how the furor over the book reflected the emerging industrial economy of print.