Victorian Spectacular Theatre 1850-1910

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1890s Objections
A01=Michael R. Booth
Act Iii
Amber Lime
Art
Author_Michael R. Booth
brocken
Brocken Scene
Category=AFKP
Category=ATD
Category=DDA
Colleen Bawn
copy
Coronation Scene
Court
cultural and artistic movements
drury
Drury Lane
Drury Lane Pantomime
Education
Electricity
Employment
eq_art-fashion-photography
eq_bestseller
eq_biography-true-stories
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_poetry
Exhibitions
Faust's Study
fitzgerald
Forty Thieves
Fox Hunt
Gardens
George III
Henry VIII
Irregular Shows
lane
London Theatres
Melodrama
melodrama studies
Music
nineteenth-century drama
Pageantry
Pall Mall Budget
pantomime analysis
pantomimes
Penny Illustrated Paper
percy
performance reconstruction
Poetry
rehearsal
Rehearsal Copy
Relationships
Richard III
Scene Painter
Schools
Shakespearean Production
spectacle
Spectacle Melodrama
spectacle production
stage realism
The Great Exhibition
Theatre
theatrical production history
Victorian era spectacle techniques
Victorian Pantomime
Victorian theatre production
Violet Vanbrugh
Woodman's Hut
Youth

Product details

  • ISBN 9781138936607
  • Weight: 400g
  • Dimensions: 156 x 234mm
  • Publication Date: 06 Jun 2017
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
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Originally published in 1981. This study concentrates on one aspect of Victorian theatre production in the second half of the nineteenth century – the spectacular, which came to dominate certain kinds of production during that period. A remarkably consistent style, it was used for a variety of dramatic forms, although surrounded by critical controversy. The book considers the theories and practice of spectacle production as well as the cultural and artistic movements that created the favourable conditions in which spectacle could dominate such large areas of theatre for so many years. It also discusses the growth of spectacle and the taste of the public for it, examining the influence of painting, archaeology, history, and the trend towards realism in stage production. An explanation of the working of spectacle in Shakespeare, pantomime and melodrama is followed by detailed reconstructions of the spectacle productions of Irving’s Faust and Beerbohm Tree’s King Henry VIII.

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