Victorian Types, Victorian Shadows (Routledge Revivals)

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A01=George P. Landow
Author_George P. Landow
biblical
biblical hermeneutics
Biblical Typology
biblical typology in Victorian culture
brazen
Brazen Serpent
Category=DC
Category=DSBF
Category=NHD
Category=QDH
Category=QRA
Category=QRM
Category=QRVC
commonplace
Commonplace Type
dramatic
English religious history
eq_bestseller
eq_biography-true-stories
eq_history
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_poetry
Gash Gold Vermillion
Gospel Scheme
imagery
images
Levitical Priesthood
Lyra Apostolica
Manchester City Art Gallery
Millais's Christ
Millais’s Christ
Napoleon III
nineteenth-century symbolism
Pisgah Sight
religious imagery analysis
Ruskin's Praeterita
Ruskin’s Praeterita
Scriptural Typology
serpent
Silent Noon
Super Flumina Babylonis
symbolism
Tennyson's Speaker
Tennyson’s Speaker
Troy Town
typological
Typological Allusion
typological exegesis
Typological Image
Typological Imagery
Typological Significance
Typological Symbolism
typology
Victorian poetry criticism
Victorian Sage
Victorian Typology
Young Men

Product details

  • ISBN 9781138796171
  • Weight: 520g
  • Dimensions: 138 x 216mm
  • Publication Date: 08 Dec 2015
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
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The importance of typology in the study of early modern literature has long been accepted, yet students of Victorian culture have paid little attention to it. First published in 1980, this study demonstrates how biblical typology, an apparently arcane interpretative mode, had profound effects on the secular culture of the Victorian age: its art, literature and thought. George Landow considers the way in which the average English believer learned to read their Bible in terms of the types and shadows of Christ, the various ways in which Victorian poetry and hymns employed certain imagery, and the use of typological symbolism in narrative poetry, prose fiction, dramatic monologue and non-fiction. In a concluding chapter, he investigates the particularly complex, and often ironic, combinations of typological image and typological structure.

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