A01=Sean Willcock
Author_Sean Willcock
Category=AGA
Category=AJ
Category=JP
Category=NHD
Category=NHTQ
eq_art-fashion-photography
eq_bestseller
eq_history
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eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
Product details
- ISBN 9781913107246
- Dimensions: 216 x 270mm
- Publication Date: 09 Nov 2021
- Publisher: Paul Mellon Centre for Studies in British Art
- Publication City/Country: GB
- Product Form: Hardback
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A study of how artists and photographers shaped imperial visions of war and peace in the Victorian period
In an era that saw the birth of photography (c. 1839) and the rise of the illustrated press (c. 1842), the British experience of their empire became increasingly defined by the processes and products of image-making.
Examining moments of military and diplomatic crisis, this book considers how artists and photographers operating "in the field" helped to define British visions of war and peace. The Victorians increasingly turned to visual spectacle to help them compose imperial sovereignty. The British Empire was thus rendered into a spectacle of "peace," from world’s fairs to staged diplomatic rituals. Yet this occurred against a backdrop of incessant colonial war—campaigns which, far from being ignored, were in fact unprecedentedly visible within the cultural forms of Victorian society. Visual media thus shaped the contours of imperial statecraft and established many of the aesthetic and ethical frames within which the colonial violence was confronted.
Distributed for the Paul Mellon Centre for Studies in British Art
In an era that saw the birth of photography (c. 1839) and the rise of the illustrated press (c. 1842), the British experience of their empire became increasingly defined by the processes and products of image-making.
Examining moments of military and diplomatic crisis, this book considers how artists and photographers operating "in the field" helped to define British visions of war and peace. The Victorians increasingly turned to visual spectacle to help them compose imperial sovereignty. The British Empire was thus rendered into a spectacle of "peace," from world’s fairs to staged diplomatic rituals. Yet this occurred against a backdrop of incessant colonial war—campaigns which, far from being ignored, were in fact unprecedentedly visible within the cultural forms of Victorian society. Visual media thus shaped the contours of imperial statecraft and established many of the aesthetic and ethical frames within which the colonial violence was confronted.
Distributed for the Paul Mellon Centre for Studies in British Art
Sean Willcock is an Early Career Leverhulme Fellow in the Department of History of Art, Birkbeck, University of London.
