Victorian Women Poets

Regular price €179.80
A01=Tess Cosslett
Angela Leighton
Anglican Sisterhoods
Antony Harrison
Author_Tess Cosslett
Awful Kings
Carpenter's Article
Carpenter’s Article
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Christine Gallant
Cora Kaplan
Deirdre David
Dolores Rosenblum
Dorothy Mermin
Eighteenth Century Middle Class
Elfin Grot
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feminist literary criticism
feminist readings of nineteenth-century poetry
gender studies Victorian era
Goblin Fruit
Goblin Man
Gondal Poems
historicist approach poetry
Isobel Armstrong
Kathryn Burlinson
Lady Geraldine's Courtship
Lady Geraldine’s Courtship
Lady Waldemar
Margaret Homans
Margaret Street
marginalised women writers
Married Woman's Property Bill
Married Woman’s Property Bill
Married Women's Property
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Married Women’s Property
Married Women’s Property Rights
Mary Wilson Carpenter
Michael Field
Monna Innominata
nineteenth-century poetry analysis
psychoanalytic theory literature
Rod Edmond
Rossetti's Poem
Rossetti's Poetry
Rossetti's Work
Rossetti’s Poem
Rossetti’s Poetry
Rossetti’s Work
Sandra Gilbert
Sisterly Solidarity
Susan Gubar
Terrence Holt
Victorian Women Poets
Victorian Women's Poetry
Victorian Women’s Poetry
Women Poets
Women's Poetry
Women’s Poetry
Young Men

Product details

  • ISBN 9781138165595
  • Weight: 453g
  • Dimensions: 138 x 216mm
  • Publication Date: 18 Jan 2017
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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Through her selection of fourteen essays, Tess Cosslett charts the rediscovery by feminist critics of the Victorian Women Poets such as Emily Brontë, Elizabeth Barrett Browning and Christina Rossetti, and the subsequent developments as critics use a range of modern theoretical approaches to understand and promote the work of these non-canonical and marginalised poets. While the essays chosen for this volume focus on these three major figures, work is also included on less well-known poets who have only recently been brought into critical prominence. The introduction clarifies for the reader the themes, problems and preoccupations that inform the criticism and provides a useful guide to the debates surrounding poetry and feminism, investigating such questions as, how feminist are these poems, and does a women s tradition really exist? The advantages and disadvantages of applying different critical approaches, such as psychoanalytic and historicist, to the understanding of this period and genre are also fully explored.