Victorian Women's Fiction

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A01=Shirley Foster
Anne Bronte
Author_Shirley Foster
Brave Lady
Bronte's Fiction
Caroline Helstone
Category=DSA
Category=DSBF
Category=DSK
Category=JBSF
Category=JBSF1
Category=JBSF11
Category=JHB
charlotte bronte
Craik's Novels
Cranford Ladies
Daisy Chain
Daniel Deronda
Dinah Mulock Craik
Eleventh Hour
English literary criticism
eq_bestseller
eq_biography-true-stories
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
Family Friend
Family Law Firm
female authorship studies
Female Fiction
Female Fulfilment
female novelist ambivalence analysis
gaskell
Gaskell's Treatment
gender studies
Independent Womanhood
John Halifax
Miss Marchmont
Misses Brownings
Morton Hall
Mrs Transome
nineteenth-century gender roles
social ideology analysis
Spanish Gypsy
Victorian era social history
victorian literature
Victorian Women Novelists
Womanly Fulfilment
women's literature
women's narrative voice
Young Man

Product details

  • ISBN 9780415752305
  • Weight: 470g
  • Dimensions: 156 x 234mm
  • Publication Date: 21 Mar 2014
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
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Focusing on the ways in which female novelists have, in their creative work, challenged or scrutinised contemporary assumptions about their own sex, this book's critical interest in women’s fiction shows how mid-nineteenth-century women writers confront the conflict between the pressures of matrimonial ideologies and the often more attractive alternative of single or professional life. In arguing that the tensions and dualities of their work represent the honest confrontation of their own ambivalence rather than attempted conformity to convention, it calls for a fresh look at patterns of imaginative representation in Victorian women’s literature.

Making extensive use of letters and non-fiction, this study relates the opinions expressed there to the themes and methods of the fictional narratives. The first chapter outlines the social and ideological framework within which the authors were writing; the subsequent five chapters deal with the individual novelists, Craik, Charlotte Bronté, Sewell, Gaskell, and Eliot, examining the works of each and also pointing to the similarities between them, thus suggesting a shared female ‘voice’.

Dealing with minor writers as well as better-known figures, it opens up new areas of critical investigation, claiming not only that many nineteenth-century female novelists have been undeservedly neglected but also that the major ones are further illuminated by being considered alongside their less familiar contemporaries.

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