Video Art Historicized

Regular price €65.99
Quantity:
In stock with our UK publisher. 14-28 days
Delivery/Collection within 10-20 working days
14 days return policy Shipping & Delivery
A01=Malin Hedlin Hayden
Art History
artwork
Author_Malin Hedlin Hayden
Beryl Korot
birnbaum
Category=AB
Category=ABA
Category=AFKV
Category=AGA
Category=GL
Category=JBCT
Category=WTHM
Compulsive Categorizations
Corporate Tv
dara
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
eq_travel
Feminist Art
Feminist Art Theory
Fine Art Context
form
gary
General Art History
hill
history
Make Video Art
Male Artists
Moving Image Practices
Postmodern Art Theory
Reflexive Medium
Steina Vasulka
Thematic Space
Tv Set
VALIE EXPORT
vasulka
Vice Versa
Video Art
Video Art Production
Video Art Works
Video Practices
Video Works
Vito Acconci
Women Artists
woody
works

Product details

  • ISBN 9781138563209
  • Weight: 440g
  • Dimensions: 156 x 234mm
  • Publication Date: 12 Oct 2017
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
Secure checkout Fast Shipping Easy returns
Video art emerged as an art form that from the 1960s and onwards challenged the concept of art - hence, art historical practices. From the perspective of artists, critics, and scholars engaged with this new medium, art was seen as too limiting a notion. Important issues were to re-think art as a means for critical investigations and a demand for visual reconsiderations. Likewise, art history was argued to be in crisis and in need of adapting its theories and methods in order to produce interpretations and thereby establish historical sense for moving images as fine art. Yet, as this book argues, video art history has evolved into a discourse clinging to traditional concepts, ideologies, and narrative structures - manifested in an increasing body of texts. Video Art Historicized provides a novel, insightful and also challenging re-interpretation of this field by examining the discourse and its own premises. It takes a firm conceptual approach to the material, examining the conceptual, theoretical, and methodological implications that are simultaneously contested by both artists and authors, yet intertwined in both the legitimizing and the historicizing processes of video as art. By engaging art history’s most debated concepts (canon, art, and history) this study provides an in-depth investigation of the mechanisms of the historiography of video art. Scrutinizing various narratives on video art, the book emphasizes the profound and widespread hesitations towards, but also the efforts to negotiate, traditional concepts and practices. By focusing on the politics of this discourse, theoretical issues of gender, nationality, and particular themes in video art, Malin Hedlin Hayden contests the presumptions that inform video art and its history.
Malin Hedlin Hayden is Associate Professor in Art History, the Department of Culture and Aesthetics, Stockholm University.

More from this author