Videology and Utopia

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A01=Alex Ganty
A01=Alfred Willener
A01=Guy Milliard
alternative video practices in society
Author_Alex Ganty
Author_Alfred Willener
Author_Guy Milliard
Category=JBCT2
Comme Il Faut
community video projects
Cultural Animation
cultural animation research
Educational Tv
Educational Tv Programme
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
Face To Face
Follow
grassroots media activism
Jean Marie Serreau
Maison De La Culture
mass communication
mass communication theory
media studies
Official Tv
Omnipresent
ORTF
Parachuted
participatory media
Playback
Portable Video Equipment
Red Book
Superimpose
Tv Generation
Tv Image
Tv News
Tv Programme
Tv Set
Unlimited
Vice Versa
video
video creativity
video education
video sociology
Video Team
videorecorder
Young Men

Product details

  • ISBN 9780415840095
  • Weight: 520g
  • Dimensions: 156 x 234mm
  • Publication Date: 09 May 2013
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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When this book was originally published in 1976, video represented a new instrument, a new medium, and a new field of research with largely unrealized potential. The video-taperecorder was an addition to the technology of mass communications, a handy gadget for recording synchronized images and sound on magnetic tapes for storage or simultaneous playback. But the authors of this study look at it as also mirror, relay and catalyst, offering creative possibilities of exploration and criticism, of active analysis and transformation, of self-discovery and communication. They discern a liberating potential of video an antidote to the dominance of centralized TV in consumer society and ultimately a means towards the progressive social reappropriation of the media of communication.

The authors draw on their experience working with school-children, teenagers, and a variety of cultural, political and community groups to illustrate the versatility of video in approaching diverse situations of everyday life, whether from the viewpoint of ‘cultural animation’, sociological research, or a surrealistic game. These projects, and interviews with other practitioners, present here the basis for a first typology of styles and approaches in using video, and for a ‘videology’: a language, a set of concepts, and a theory comprehending process and praxis, image and action. This is a fascinating snapshot now, looking back at these early ideas.

Translated from the French and Edited by DIANA BURFIELD, Authors- ALFRED WILLENER, GUY MILLIARD, ALEX GANTY

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