Regular price €179.80
A01=Dominik Bartmanski
A01=Ian Woodward
Acetate Release
Analogue Medium
Analogue Record
analogue record resurgence research
Author_Dominik Bartmanski
Author_Ian Woodward
Category=AVX
Category=JBCC2
Category=JHMC
Crate Digging
cultural sociological approach
DJ Culture
DJ Set
Double Sided Disc
Electronic Music
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_music
eq_nobargain
eq_non-fiction
eq_society-politics
Error Tolerance
Grooved Texture
Independent Scenes
Indie Rock
Lifestyle Store
material culture studies
music collecting practices
music consumption trends
music sales
Play Back
Pop Stars
Rare Record Price Guide
Record Stores
Sex Pistols
Silkscreen Print
Small Batch Production
sociological analysis music
sound engineering research
urban ethnography
Vinyl Production
Vinyl Record
Vinyl Releases

Product details

  • ISBN 9780857856180
  • Weight: 453g
  • Dimensions: 156 x 234mm
  • Publication Date: 18 Dec 2014
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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Recent years have seen not just a revival, but a rebirth of the analogue record. More than merely a nostalgic craze, vinyl has become a cultural icon. As music consumption migrated to digital and online, this seemingly obsolete medium became the fastest-growing format in music sales. Whilst vinyl never ceased to be the favorite amongst many music lovers and DJs, from the late 1980s the recording industry regarded it as an outdated relic, consigned to dusty domestic corners and obscure record shops. So why is vinyl now experiencing a ‘rebirth of its cool’?Dominik Bartmanski and Ian Woodward explore this question by combining a cultural sociological approach with insights from material culture studies. Presenting vinyl as a multifaceted cultural object, they investigate the reasons behind its persistence within our technologically accelerated culture. Informed by media analysis, urban ethnography and the authors’ interviews with musicians, DJs, sound engineers, record store owners, collectors and cutting-edge label chiefs from a range of metropolitan centres renowned for thriving music scenes including London, New York, Tokyo, Melbourne, and especially Berlin, what emerges is a story of a modern icon.
Dominik Bartmanski earned his PhD in sociology at Yale University, USA and currently teaches in the Sociology Department of the Technische Universität Berlin, Germany.Ian Woodward is Associate Professor in the Department of Marketing and Management, University of Southern Denmark, Denmark.