Virgin Suicides

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1990s independent cinema
A01=Justin Wyatt
adolescent identity formation in film
Air's Music
American culture
American film
American Gigolo
American Zoetrope
Author_Justin Wyatt
Barren
Belinda Smaill
Bling Ring
Cannes Film Festival
Category=ATF
Category=JBCT
Category=JHB
Clips
Coppola's Film
Coppola’s Film
Director's Fortnight
Director’s Fortnight
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
Female Filmmakers
feminist media studies
film analysis
film studies
Follow
gender representation
gender studies
Hanging Rock
independent film
indie
Jeffrey Eugenides
Kirsten Dunst
Lisbon Family
Lisbon Girls
Lisbon Story
media industry
narrative structure theory
Neighborhood Boys
Peggy Sue
Rumble Fish
Sian Lincoln
Sofia Coppola
soundtrack
Tv Report
Virgin Suicides
Visual Bursts
visual storytelling techniques
Yannis Tzioumakis
Young Female Sexuality
youth
youth culture studies

Product details

  • ISBN 9781138046443
  • Weight: 390g
  • Dimensions: 138 x 216mm
  • Publication Date: 22 Jun 2018
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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Based on the best-selling novel by Jeffrey Eugenides, The Virgin Suicides is director Sofia Coppola’s evocative debut feature of young love, sex, loss and family pressures in mid-1970s America. Acclaimed by both critics and audiences on release, the film is now viewed as a remarkable and bold feature by a significant female director addressing many issues related to youth, female sexuality and family.

This book helps readers understand the film’s significance and the stylistic and storytelling choices made by director Coppola. The analysis of the film occurs around three interlocking arguments: the unusual structuring absence in the film, the intricate manner through which music is used in the drama, communication and character creation, and the film’s careful and specific referencing of advertising in the 1970s (the decade of the film’s narrative). The film’s enigmatic structure and unique storytelling devices and their relationship to female adolescence, sexuality and ideology are also considered in depth. Without solving the mysteries of the film, the book is designed to uncover the reasons why the film continues to fascinate viewers so many years after its release.

Justin Wyatt is Associate Director of the Harrington School of Communication and Media at the University of Rhode Island. He teaches in Communication Studies and Film/Media. He is the author of High Concept: Movies and Marketing in Hollywood and co-editor of Contemporary American Independent Film: From the Margins to the Mainstream.

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