Virginia Woolf's Common Reader

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A01=Katerina Koutsantoni
Acclaimed Critic
aesthetics
Anna Snaith
Author_Katerina Koutsantoni
Category=DS
Category=DSBH
Category=DSK
Common Reader
contemporary
Cyclical Approach
Dialogic Intent
eq_bestseller
eq_biography-true-stories
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
essay
Essay Genre
essays
feminist
Free Indirect Discourse
genre
Greek Secondary Education
Jacques Raverat
Lord Chesterfield's Letters
Lord Chesterfield’s Letters
Mary Wollstonecraft
Mikhail Mikhailovich Bakhtin
modern
Personal Element
Portrait Of A Man
Ruminative Explorers
strikes
Vice Versa
Virginia Woolf's Essays
Virginia Woolf’s Essays
Woolf's Aim
Woolf's Career
Woolf's Common Reader
Woolf's Criticism
Woolf's Essays
Woolf's Position
Woolf's Work
woolfs
Woolf’s Aim
Woolf’s Career
Woolf’s Criticism
Woolf’s Essays
Woolf’s Position
Woolf’s Work
work
Yale Review

Product details

  • ISBN 9780754662648
  • Weight: 453g
  • Dimensions: 156 x 234mm
  • Publication Date: 17 Jul 2009
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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In the first comprehensive study of Virginia Woolf's Common Reader, Katerina Koutsantoni draws on theorists from the fields of sociology, sociolinguistics, philosophy, and literary criticism to investigate the thematic pattern underpinning these books with respect to the persona of the 'common reader'. Though these two volumes are the only ones that Woolf compiled herself, they have seldom been considered as a whole. As a result, what they reveal about Woolf's position with regard to the processes of writing, reading, and critical analysis has not been fully examined. Koutsantoni challenges the critical commonplace that equates Woolf's strategy of self-effacement and personal removal from her works as a necessary compromise that allowed her to achieve authorial recognition in a male-dominated context. Rather, Koutsantoni argues that an investigation of impersonality in Woolf's essays reveals the potential of the genre to function both as a vehicle for the subjective and dialogic expression of the author and reader and as a venue for exploring topics with which the ordinary reader can relate. As she explores and challenges the meaning of impersonality in Woolf's Common Reader, Koutsantoni shows how the related issues of subjectivity, authority, reader-response, intersubjectivity, and dialogism offer useful perspectives from which to examine Woolf's work.
Katerina Koutsantoni holds a PhD in English Literature from the University of Birmingham, UK (2005). Her research interests span reader reception and dialogic theories, theories of selfhood and subjectivity, as well as genre theory. Katerina currently works as a Programmes Manager at King’s College London.

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