Virtual Theatres

Regular price €179.80
A01=Gabriella Giannachi
Author_Gabriella Giannachi
Biosphere II
Blast Theory
Category=AB
Category=AFKP
Category=ATD
Category=JBCC
Category=NH
Category=UYV
Cave Environment
computer-mediated performance
contemporary performance technology
cunningham
Cyborg Theatre
Dense
Descending Stairs
Desert Rain
digital performance studies
electronic
emphasis
environment
environments
eq_art-fashion-photography
eq_bestseller
eq_computing
eq_history
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
GFP Bunny
immersive installation art
Interactive Art
interactive media arts
laboratory
Legible City
Lemoine Luccioni
Liquid Architecture
merce
Net Art
NTT
original
reality
simulation in performing arts research
Stelarc's Work
Stelarc’s Work
Studio Azzurro
Telematic Dreaming
telepresence in art
Vice Versa
Virtual Environment
Virtual Reality
Virtual Reality Markup Language
Virtual Theatre
visualization
VRML
Water Pavilion
ZKM

Product details

  • ISBN 9780415283786
  • Weight: 500g
  • Dimensions: 138 x 216mm
  • Publication Date: 11 Mar 2004
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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The first full-length book of its kind to offer an investigation of the interface between theatre, performance and digital arts, Virtual Theatres presents the theatre of the twenty-first century in which everything - even the viewer - can be simulated.

In this fascinating volume, Gabriella Giannachi analyzes the aesthetic concerns of current computer-arts practices through discussion of a variety of artists and performers including:

* blast Theory
* Merce Cunningham
* Eduardo Kac
* forced entertainment
* Lynn Hershman
* Jodi Orlan
* Guillermo Gómez-Peña
* Marcel-lí Antúnez Roca
* Jeffrey Shaw
* Stelarc.

Virtual Theatres not only allows for a reinterpretation of what is possible in the world of performance practice, but also demonstrates how 'virtuality' has come to represent a major parameter for our understanding and experience of contemporary art and life.

Gabriella Giannachi is a lecturer in Theatre Studies at the University of Lancaster, where her specialist areas include new technologies and performance. She is also co-editor of On Directing (1999) and co-author of Staging the Post-Avant-Garde (2002).