Virtue and Vice in Popular Film

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A01=Joseph H. Kupfer
Arrogant Individuals
Author_Joseph H. Kupfer
Baker Boys
Category=JBCC1
Category=JBCT
Category=QDTN
character development analysis
Chronic
Cinematic contexts
cinematic ethics case studies
Cinematic representations
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
ethical theory application
Executive Virtues
Existential Seriousness
Feminine Vanity
Film criticism
Follow
Fundamental Dependence
Good Life
Held
Humble Individuals
Jack's Life
Jack's Relationship
Jack’s Life
Jack’s Relationship
Main Characters
moral psychology
Mozart
Mozart's Ability
Mozart’s Ability
Narrative Affinity
narrative moral exploration
philosophical film analysis
Popular films
Primitive Envy
Substantive Virtues
Superb
Trio
Vain Person
Viewpoint
virtue ethics in contemporary cinema
Virtues
Worthwhile
Young Man

Product details

  • ISBN 9780367543709
  • Weight: 453g
  • Dimensions: 138 x 216mm
  • Publication Date: 04 May 2021
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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This book addresses a prominent group of virtues and vices as portrayed in popular films to further our understanding of these moral character traits. The discussions emphasize the interplay between the philosophical conception of the virtues and vices and the cinematic representations of character.

Joseph H. Kupfer explores how fictional characters possessing certain moral strengths and weaknesses concretize our abstract understanding of them. Because the actions that flow from these traits occur in cinematic contexts mirroring real world conditions, the narrative portrayals of these moral characteristics can further our appreciation of their import. Humility, integrity, and perseverance, for example, are depicted in Chariots of Fire, The Fabulous Baker Boys, and Billy Elliot, while the vices of envy, arrogance and vanity are captured in Amadeus, Whiplash, and Young Adult.

This interdisciplinary work in philosophy and film criticism will be of great interest to scholars and students of film studies, philosophy of film, ethics, aesthetics, and popular culture.

Joseph H. Kupfer is University Professor of Philosophy at Iowa State University. He has previously written on such topics as privacy, lying, the parent-child relationship, aesthetics of nature, and the virtues. His most recent book, Aesthetic Violence and Women in Film: Kill Bill with Flying Daggers, addresses philosophical issues in popular action movies.

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