Vision and Difference

Regular price €112.99
A01=Griselda Pollock
art
art historical methodology
artists
Astarte Syriaca
Author_Griselda Pollock
Beata Beatrix
berthe
Berthe Morisot
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Category=GTM
Category=JBCC
Category=JBSF1
Category=JBSF11
cherry
deborah
Deborah Cherry
elizabeth
Elizabeth Siddal
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
Exhibition Cubism
Feminist Art History
Feminist Artistic Practice
feminist reinterpretation of modernist painting
Fetishistic Scopophilia
history
Live Human Model
male gaze analysis
Marxist Art Historian
marxist feminist theory
Miss Siddal
Mitra Tabrizian
Modern Life
morisot
Pre-Raphaelite Literature
Psychic Construction
Rossetti Drawings
Rossetti's Texts
Rossetti’s Texts
routledge classics collection
sexual politics in art
Sibylla Palmifera
siddal
Venus Verticordia
Vice Versa
Virginia Surtees
women
Women Artists
women artists nineteenth century
Women's Artistic Practice
Women’s Artistic Practice
Young Man

Product details

  • ISBN 9781138129160
  • Weight: 476g
  • Dimensions: 129 x 198mm
  • Publication Date: 27 Aug 2015
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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Griselda Pollock provides concrete historical analyses of key moments in the formation of modern culture to reveal the sexual politics at the heart of modernist art. Crucially, she not only explores a feminist re-reading of the works of canonical male Impressionist and Pre-Raphaelite artists including Edgar Degas and Dante Gabriel Rossetti, but also re-inserts into art history their female contemporaries - women artists such as Berthe Morisot and Mary Cassatt.

Pollock discusses the work of women artists such as Mary Kelly and Yve Lomax, highlighting the problems of working in a culture where the feminine is still defined as the object of the male gaze. Now published with a new introduction, Vision and Difference is as powerful as ever for all those seeking not only to understand the history of the feminine in art, but also to develop new strategies for representation for the future.

Griselda Pollock (1949-). Renowned art historian and critic, currently Professor of Social and Critical Histories of Art at the University of Leeds