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Visionaries
Megan Fontanella | Vivien Greene | Jeffrey Weiss | Susan Thompson | Tracey Bashkoff | Lauren Hinkson | Susan Davidson
Visionaries
★★★★★
★★★★★
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€55.99
Regular price
€67.50
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€55.99
A01=Jeffrey Weiss
A01=Lauren Hinkson
A01=Megan Fontanella
A01=Megan M. Fontanella
A01=Susan Davidson
A01=Susan Thompson
A01=Tracey Bashkoff
A01=Vivien Greene
Author_Jeffrey Weiss
Author_Lauren Hinkson
Author_Megan Fontanella
Author_Megan M. Fontanella
Author_Susan Davidson
Author_Susan Thompson
Author_Tracey Bashkoff
Author_Vivien Greene
Category1=Non-Fiction
Category=ABQ
Category=AGC
Category=NL-AB
Category=NL-AG
COP=United States
eq_art-fashion-photography
eq_isMigrated=2
eq_nobargain
eq_non-fiction
Format=BB
HMM=270
IMPN=Guggenheim Museum Publications
ISBN13=9780892075263
PA=Available
PD=20170202
POP=New York
Price=57.38
PS=Active
PUB=Guggenheim Museum Publications
Subject=Art Treatments & Subjects
Subject=The Arts: General Issues
U.S.
WG=1380
WMM=194
Product details
- ISBN 9780892075263
- Weight: 1380g
- Dimensions: 194 x 270mm
- Publication Date: 11 May 2017
- Publisher: Guggenheim Museum Publications,U.S.
- Publication City/Country: New York, US
- Product Form: Hardback
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Visionaries: Creating a Modern Guggenheim celebrates the late-nineteenth and earlytwentieth- century masterworks at the core of the institution’s holdings, and the trailblazers – artists and early patrons alike – whose contributions helped define the forward-looking identity of the Solomon R. Guggenheim Foundation. Central to Visionaries is the story of museum founder Solomon R. Guggenheim, who with support from his trusted advisor, Hilla Rebay, become a great champion of ‘nonobjective’ art and assembled a radical collection against the backdrop of economic crisis and war in the 1930s and ’40s.
A lead catalogue essay by museum curator Megan Fontanella explores Solomon Guggenheim’s fascinating activities in this period, together with that of five similarly pioneering art patrons whose personal holdings would become essential components of the foundation collection: Impressionist, Post-Impressionist, and early School of Paris artworks from Justin K. Thannhauser; the eclectic Expressionist inventory of émigré art dealer Karl Nierendorf; the incomparable abstract and Surrealist paintings and sculptures from self-proclaimed ‘art addict’ Peggy Guggenheim; and key modern examples from the estates of artists Katherine S. Dreier and Rebay. Alongside vibrant illustrations of works by such iconic artists as Alexander Calder, Marc Chagall, Vasily Kandinsky, Paul Klee, Piet Mondrian, Pablo Picasso, and Jackson Pollock, Visionaries also features essays by six curators examining touchstone works from the foundation collection.
A lead catalogue essay by museum curator Megan Fontanella explores Solomon Guggenheim’s fascinating activities in this period, together with that of five similarly pioneering art patrons whose personal holdings would become essential components of the foundation collection: Impressionist, Post-Impressionist, and early School of Paris artworks from Justin K. Thannhauser; the eclectic Expressionist inventory of émigré art dealer Karl Nierendorf; the incomparable abstract and Surrealist paintings and sculptures from self-proclaimed ‘art addict’ Peggy Guggenheim; and key modern examples from the estates of artists Katherine S. Dreier and Rebay. Alongside vibrant illustrations of works by such iconic artists as Alexander Calder, Marc Chagall, Vasily Kandinsky, Paul Klee, Piet Mondrian, Pablo Picasso, and Jackson Pollock, Visionaries also features essays by six curators examining touchstone works from the foundation collection.
Megan Fontanella is Associate Curator, Collections and Provenance, at the Solomon R. Guggenheim Museum, New York.
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