Visioning Technologies

Regular price €210.80
Quantity:
In stock with our UK publisher. 14-28 days
Delivery/Collection within 10-20 working days
14 days return policy Shipping & Delivery
Al Haytham
Alberti's De Pictura
Alberti’s De Pictura
architectural
Architectural Photography
architectural photography analysis
architectural visualisation
architecture
Bernard Tschumi
Beryl Stone
Category=AMA
Category=AMC
Category=PDX
city
corbusier
De Visione Dei
digital representation methods
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_science
Fi Lm
Fi Ve
GEOSS
GHSL
Gnomonic Projections
Hyperreal Visuality
Ibn Al Haytham
Infl Uence Architecture
Le Corbusier
lola
Manhattan Transcripts
modern
Mon Oncle
optical devices history
Parc De La Villette
phenomenology of space
photography
Pierre Chenal
RIBA Collection
Robert Elwall
Round Window
run
Sea Surface Heights
smart
spatial perception theory
technological mediation in architecture
Twentieth Century Visual Culture
villa
Villa Savoye

Product details

  • ISBN 9781472454966
  • Weight: 620g
  • Dimensions: 174 x 246mm
  • Publication Date: 15 Dec 2016
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
Secure checkout Fast Shipping Easy returns

Visioning Technologies brings together a collection of texts from leading theorists to examine how architecture has been, and is, reframed and restructured by the visual and theoretical frameworks introduced by different ‘technologies of sight’ – understood to include orthographic projection, perspective drawing, telescopic devices, photography, film and computer visualization, amongst others.

Each chapter deals with its own area and historical period of expertise, organized sequentially to mark out and analyse the historical evolution of how architecture has been transformed by technologically induced shifts in human perception from the 15th century until today. This book underlines the way in which architectural forms and design processes have developed historically in conjunction with the systems of sight we manufacture technologically and suggests this continues today. Paradoxically, it is premised on the argument that these technological systems tend, in their initial formulations, to obtain ever greater realism in our visualizations of the physical world.

Graham Cairns is an academic and author in the field of architecture who has written extensively on film, advertising and political communication. He has held Visiting Professor positions at universities in Spain, the UK, Mexico, the Gambia, South Africa and the US. He has worked in architectural studios in London and Hong Kong and previously founded and ran a performing arts organization, Hybrid Artworks, specializing in video installation and performance writing.

He is author and editor of multiple books and articles on architecture as both a form of visual culture and a socio-political construct. He developed this book during a two year period as Visiting Scholar at Columbia University, New York. He is currently director of the academic research organization AMPS (Architecture, Media, Politics, Society), and Executive Editor of its associated journal Architecture_MPS. He is Honorary Senior Research Associate at the Bartlett School of Architecture, University College London, UK.