Visual Acuity and the Arts of Communication in Early Modern Germany
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Alexander J. Fisher
Allison Stielau
Andrew Morrall
Anthony Mahler
Arne Spohr
audience persuasion techniques
Berlin Palace
Bridget Heal
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Charming Invention
Christian IV
Concealed Music
Cranach Workshop
Cum Gratia
De Bodt
early modern visual culture
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Fruchtbringende Gesellschaft
Funeral Sermon
German print history
Germanisches Nationalmuseum
Giovanni Da Bologna
Gregor Aichinger
Herzog August Bibliothek
Ignatian Spiritual Exercises
interdisciplinary art analysis
Jeffrey Chipps Smith
Johannes Praetorius
Jules Hardouin Mansart
Kristoffer Neville
Lucas Cranach
Marcus Welser
Nulla Dies Sine Linea
religious iconography
Residential City
Rhetorical Enargeia
Rosenborg Castle
Ruth Slenczka
spatial representation studies
Susanne Meurer
Title Engraving
visual communication in German Reformation
Volker Bauer
William III
Winter Room
Product details
- ISBN 9781472435873
- Weight: 771g
- Dimensions: 174 x 246mm
- Publication Date: 11 Dec 2014
- Publisher: Taylor & Francis Ltd
- Publication City/Country: GB
- Product Form: Hardback
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During the early modern period, visual imagery was put to ever new uses as many disciplines adopted visual criteria for testing truth claims, representing knowledge, or conveying information. Religious propagandists, political writers, satirists, cartographers, the scientific community, and others experimented with new uses of visual images. Artists, writers, preachers, musicians, and performers, among others, often employed visual images or conjured mental images to connect with their audiences. Contributors to this interdisciplinary collection creatively explore how the exponential growth in images, especially prints, impacted the intellectual horizons and the visual awareness of viewers in early modern Germany. Each of the chapters serves as a case study for one or more of the volume’s sub-themes: art, visual literacy, and strategies of presentation; audience and the art of persuasion; the art of envisioning; the ephemeral arts and theatricality; the built environment and spatial settings; and the history of the visual.
Jeffrey Chipps Smith is Kay Fortson Chair in European Art at the University of Texas at Austin, USA.
