Visual Alterity

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A01=Randall Halle
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alterity
Andy Warhol
anti-Semitism
antisemitism
apparatus theory
Author_Randall Halle
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Category1=Non-Fiction
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cognition
cognitive film studies
collage
complex connectivity
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difference
digital
digital art
dispositive
epistemology
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European film
Experimental Film
face
facial recognition technology
Film
film and philosophy
film history
film philosophy
Foucault
gender
German Film
Hegel
Husserl
Installation art
Jacques Ranciere
Kippbild
knowledge
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Levinas
Merleau-Ponty
migration
montage
multistable image
neurocinematics
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perception
phenomenology
philosophy
physiognomy
Pipilloti Rist
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psyche
race
racism
radical alterity
recognition
security
seeing
sex
softlaunch
spectator
surveillance
techne
video
Visual Culture
Werner Schroeter

Product details

  • ISBN 9780252085680
  • Weight: 399g
  • Dimensions: 152 x 229mm
  • Publication Date: 30 Mar 2021
  • Publisher: University of Illinois Press
  • Publication City/Country: US
  • Product Form: Paperback
  • Language: English
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Reconsidering the dynamics of perception

Using cinema to explore the visual aspects of alterity, Randall Halle analyzes how we become cognizant of each other and how we perceive and judge another person in a visual field. Halle draws on insights from philosophy and recent developments in cognitive and neuroscience to argue that there is no pure "natural" sight. We always see in a particular way, from a particular vantage point, and through a specific apparatus, and Halle shows how human beings have used cinema to experiment with the apparatus of seeing for over a century. Visual alterity goes beyond seeing difference to being conscious of how one sees difference. Investigating the process allows us to move from mere perception to apperception, or conscious perception.

Innovative and insightful, Visual Alterity merges film theory with philosophy and cutting-edge science to propose new ways of perceiving and knowing.

Randall Halle is the Director of the Film and Media Studies Program and the Klaus W. Jonas Professor of German Film and Cultural Studies at the University of Pittsburgh. His books include The Europeanization of Cinema: Interzones and Imaginative Communities and Queer Social Philosophy: Critical Readings from Kant to Adorno.

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