Visual Culture and Decolonisation in Britain

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A01=Anandi Ramamurthy
anti-colonial resistance
anti-colonial resistance art
Author_Anandi Ramamurthy
Black Jamaicans
Britain's economic interests
British race relations history
Captive Heart
Category=AGA
Category=AMX
Category=JBCT
Category=JBSL
Category=NHD
Coral Snakes
decolonisation
Domestic Sanctuary
Empire Marketing Board
ENGLISH ELECTRIC
eq_art-fashion-photography
eq_bestseller
eq_history
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
Familial Life
Freedom Day
Gauguin
Grove Lane
Hay Ward
Imperial Gaze
imperial ideology representation
International Trade Union Committee
Jamaican Landscape
Kariba Dam
Ladipo Solanke
Lake Chilwa
mid-twentieth century media
Modern Uganda
Owen Falls
Owen Falls Dam
Paul Gauguin
photographic archives analysis
Planter's Wife
postcolonial visual studies
Privet Hedge
Sir Benjamin Stone
social struggles
visual culture of decolonisation Britain
visual genres
Young Men

Product details

  • ISBN 9781138394131
  • Weight: 453g
  • Dimensions: 170 x 245mm
  • Publication Date: 06 Jun 2019
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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First published in 2006, this volume provides the first in-depth analysis of the place of visual representations within the process of decolonisation during the period 1945 to 1970. The chapters trace the way in which different visual genres – art, film, advertising, photography, news reports and ephemera – represented and contributed to the political and social struggles over Empire and decolonisation during the mid-Twentieth century. The book examines both the direct visual representation of imperial retreat after 1945 as well as the reworkings of imperial and ‘racial’ ideologies within the context of a transformed imperialism. While the book engages with the dominant archive of artists, exhibitions, newsreels and films, it also explores the private images of the family album as well as examining the visual culture of anti-colonial resistance.

Simon Faulkner is Lecturer in the History of Art and Design at Manchester Metropolitan University, UK. Anandi Ramamurthy is Senior Lecturer in Media and Cultural History at the University of Central Lancashire, UK.

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