Visual Effects for Film and Television
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A01=Mitch Mitchell
action
advanced visual storytelling techniques
ANSI Lumen
Author_Mitch Mitchell
blue
Blue Screen
blur
camera-less imaging
Category=AB
Category=ATF
Category=ATJ
Category=ATL
chroma key compositing
Demarcation Line
Digital Betacam
digital postproduction workflows
Entire Composite
eq_art-fashion-photography
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Exposure Time
field
Field Head
Front Silvered Mirror
Glass Painting
Green Screen
Green Screen Shots
head
Hyperfocal Distance
live
Live Action Element
Luminance Keying
matte painting techniques
Miniature Projection
motion
motion graphics integration
optical
Playback
printer
Raw Stock
RP
screen
Shutter Angle
Si Te
special effects design
Stop Frame Animation
Stop Motion
Television System
VFX Work
Vice Versa
Product details
- ISBN 9781138155893
- Weight: 620g
- Dimensions: 138 x 216mm
- Publication Date: 07 Dec 2016
- Publisher: Taylor & Francis Ltd
- Publication City/Country: GB
- Product Form: Hardback
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* An invaluable insight into the use of visual effects in film and television
* Fully illustrated with diagrams to show you step-by-step techniques
* Covers visual effects processes from front-of-camera to post-production
* Integrated approach to film, video and digital techniques
* Redefines the rules of photography so that they can be broken for effects
* Shows the line of development from the oldest to the newest processes
* A must for cinematographers, editors, designers and students of VFX alike
* Everything you need to know to plan and supervise visual effects shots
* Essential reading for anyone working in commercials/advertising photography or effects
Written by an experienced professional, this manual is the essential guide to understanding the principles and background of modern visual effects.
Visual effects are at the forefront of a digital revolution in the film and video industry and are becoming more and more important to movie language. This book teaches the practical techniques and skills required to incorporate effects successfully into both film and television production.
A pioneer of digital effects, has lived their development from "Dr Who to "Harry Potter. Starting his career at BBC television Mitch helped develop early colour TV effects systems. Later, as Director of Visual Effects at The Moving Picture Company, he supervised the effects on literally hundreds of commercials. Since becoming Head of Imaging at Cinesite in London he has worked on projects including "Harry Potter and the Prisoner of Azkaban, "TROY, "King Arthur and "The League of Extraordinary Gentlemen. Mitch lectures and writes on visual effects imaging and is also Visiting Professor at Bournemouth University.
