Visual Legacy of Alexander the Great from the Renaissance to the Age of Revolution

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A01=Inmaculada Rodriguez-Moya
A01=Victor Minguez
ancient Greece
Apelles
architecture
armor
armour
Author_Inmaculada Rodriguez-Moya
Author_Victor Minguez
Baroque
Category=AGA
Category=NHC
classical
classical reception studies
courtly representation
early modern iconography
empire
eq_art-fashion-photography
eq_bestseller
eq_history
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
fresco
general
Greece
humanist symbolism
iconography
king
legend
Macedonian
medals
monarch
monarchic propaganda
myth
nineteenth century
painting
palace
politics
portrait
prints
Renaissance
royal portraiture
statesman
tapestry
topoi
visual culture of Alexander the Great

Product details

  • ISBN 9781032546643
  • Weight: 560g
  • Dimensions: 174 x 246mm
  • Publication Date: 01 Dec 2023
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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This is an analysis of the diverse facets of Alexander the Great’s image from the Renaissance era through the Baroque into the nineteenth century.

Perceived as the first sovereign ruler of the world, for centuries Alexander became an exemplar for the most ambitious kings and emperors. This cultural phenomenon flourished above all in the Renaissance while extending into the nineteenth century. Early modern monarchs’ identification with Alexander associated them with ideas of kingly wisdom. Yet this admiration waned on occasions. Napoleon was Alexander of Macedonia’s most ardent critic. During the nineteenth century, the Macedonian hero was viewed as an individual who won control of the Achaemenid empire, but also underwent a progressive moral decline that converted him into a tyrant.

The book will be of interest to scholars working in art history and iconography.

Víctor Mínguez is Full Professor in the University Jaume I, Spain.

Inmaculada Rodríguez-Moya is Full Professor in the University Jaume I, Spain.

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