Visual Public Relations

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American Comic Book Industry
Andrea Catellani
Anna-Sara Fagerholm
Category=GTC
Category=KJSA
Category=KJSP
Central Park Conservancy
City Lines
communication theory
critical public relations
cultural theory
cultural theory research
Data Journalism
design
Environmentalist NGO
eq_bestseller
eq_business-finance-law
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
Ian Horton
Jessalynn Strauss
Jon Cope
Karina Goransson
Kirsten Kohrs
Las Vegas's History
Las Vegas’s History
Literature Review
Low Carbon Future
Mainstream Comic Books
Mark Wells
Mob Museum
multi-sensory strategic communication approaches
multimodal communication
Nick Lovegrove
non-representational theory
Noureddine Miladi
Pear's Soap Advertisement
Pear’s Soap Advertisement
PR Campaign
PR Industry
PR Practitioner
Public Engagement
public relations
Public Relations Activity
Sarah Roberts-Bowman
Science Fiction Genre
sensory communication
Smart Phones
spatial communication studies
Strategic Communication
Strategic Communication Practice
Strategic Communication Research
Strategic Communication Scholars
UK Government Ministry
UK's National Newspaper
UK’s National Newspaper
Visual Meaning Making

Product details

  • ISBN 9780367666897
  • Weight: 400g
  • Dimensions: 156 x 234mm
  • Publication Date: 30 Sep 2020
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
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This book brings together a broad and diverse range of new and radical approaches to public relations focussing on the increasingly vital role that visual, sensory and physical elements factors play in shaping communication. Engaging with recent developments in critical and cultural theories, it outlines how non-textual and non-representational forces play a central role in the efficacy and reception of public relations.

Challenging the dominant accounts of public relations which center on the purely representational uses of text and imagery, the book critiques the suitability of accepted definitions of the field and highlights future directions for conceptualizing strategic communication within a multi-sensory environment. Drawing on the work of global researchers in public relations, visual culture and communication, design and cultural theory, it brings a welcome inter-disciplinary approach which pushes the boundaries of public relations scholarship in a global cultural context.

This exciting analysis will be of great interest to public relations scholars, advanced students of strategic communication, as well as communication researchers from cultural, media and critical studies exploring PR as a socio-cultural phenomenon.

Simon Collister is a doctoral researcher in Royal Holloway, University of London’s New Political Communication Unit in the UK. He has published journal articles and contributed to edited collections on algorithmic public relations, innovative digital research methods and technology’s impact on communication and news media. He is co-editor of Debates for a Digital Age: The Good, the Bad and the Ugly of our Online World (2015).

Sarah Roberts-Bowman, Ph.D. is a senior lecturer at Northumbria University, UK and formerly ran the MA Public Relations at the London College of Communication, University of the Arts, London, UK. Prior to entering academia, Sarah had 20 years’ experience in PR practice holding senior roles in the public, private and not-for-profit sectors and has worked regionally, nationally and at a pan-European level.