Visual Story

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A01=Bruce Block
advanced visual storytelling techniques
Aerial Diffusion
Author_Bruce Block
basic
Basic Visual Components
BG Actor
bull
camera angles
Camera Movement
Category=ATF
Category=ATJ
cinematic composition
Color Wheel
components
Deep Space
Depth Cues
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
Flat Space
frame
Gray Scale
intensity
lighting for storytelling
line
linear
Linear Motif
Main Character
Maximum Contrast
mise en scA?ne analysis
motif
narrative structure analysis
Picture Plane
Played Back
production design techniques
raging
Standard Color Wheel
story structures
storyboard planning
structure
Subtractive System
Surface Divisions
Susceptible Color
Textural Diffusion
Tonal Contrast
Tonal Range
Visual Components
Visual Intensity
visual perception theory
Visual Rhythm
Visual Structure
visual style

Product details

  • ISBN 9780367499693
  • Weight: 810g
  • Dimensions: 184 x 260mm
  • Publication Date: 05 Aug 2020
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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This updated edition of a best-selling classic shows you how to structure your visuals as carefully as a writer structures a story or composers structure their music. The Visual Story teaches you how to design and control the structure of your production using the basic visual components of space, line, shape, tone, color, movement, and rhythm. You can use these components to effectively convey moods and emotions, create a visual style, and utilize the important relationship between the visual and the story structures.

Using over 700 color illustrations, author Bruce Block explains how understanding the connection between story and visual structures will guide you in the selection of camera angles, lenses, actor staging, composition, set design and locations, lighting, storyboard planning, camera coverage, and editing.

The Visual Story is an ideal blend of theory and practice. The concepts and examples in this new edition will benefit students learning cinematic production, as well as professional writers, directors, cinematographers, art directors, animators, game designers, and anyone working in visual media who wants a better understanding of visual structure.

Bruce Block has worked in a creative capacity on dozens of feature films, television shows, commercials, and animated productions. His feature film producing credits include Something’s Gotta Give, What Women Want, America’s Sweethearts, The Parent Trap, and Father of the Bride I and II. He served as a creative consultant on Spanglish, As Good As It Gets, Stuart Little, and many other film and television productions. He is a tenured professor at the University of Southern California’s School of Cinematic Arts and holds the Sergei Eisenstein Endowed Chair in Cinematic Design. Mr. Block gives seminars at a variety of studios including Blue Sky Studios, Cartoon Network, Disney Feature and Television Animation, Dreamworks Animation, Industrial Light & Magic, Laika, LucasFilm, Nickelodeon Animation Studios, Pixar Animation Studios, and a wide range of European and American film schools including AFI and Cal Arts. Mr. Block also conducts seminars for digital game designers and companies including Activision-Blizzard, Blur Studio, Google, Hulu, and Tencent. He is a member of the Director’s Guild of America, the Art Director’s Guild, and co-author of the book 3D Storytelling (Focal Press).

www.bruceblock.com

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