Visual Typologies from the Early Modern to the Contemporary

Regular price €192.20
Quantity:
Ships in 10-20 days
Delivery/Collection within 10-20 working days
Shipping & Delivery
Afro-Brazilian Women
Archivo General De La
art history
Ashley Bruckbauer
Beinecke Rare Book
Brown Military Collection
Category=AB
Category=AGA
Category=JBCC3
Category=NH
Charlene K. Lau
China Poblana
contemporary
costumbrismo
costume
Costume Albums
Costume Books
costume history research
Costume Prints
cross-cultural representation
Deborah Dorotinsky
Denise Birkhofer
dress
eighteenth century
Elisabeth Fraser
Emily Kathryn Morgan
eq_art-fashion-photography
eq_bestseller
eq_history
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
ethnographic imagery analysis
Ethnologisches Museum
Eugenia Paulicelli
fashion
Folk Dress
Folkloric Dress
geography
global
Hand Colored Prints
Heather A. Hughes
Leyla Belkaid-Neri
Lo Mexicano
LSE Library
Lynda Klich
Marc Ferrez
material culture studies
Maya Jimenez
Mexican Hat Dance
Mexican Types
modern
Museo De Arte De Lima
Natalia Majluf
nineteenth century
North American Free Trade Agreement
objects
occupation
Ottoman Costume
pictorial identity construction
Potent Disseminator
representation
Salvador De Bahia
Sarah E. Buck
seventeenth century
sixteenth century
Teresa Eckmann
Tributary Painting
twentieth century
twenty-first century
typological image interpretation
Typological Imagery
typology
Vanesa Rodriguez-Galindo
Victoria L. Rovine
visual culture
visual culture methodology
Visual Typologies
Yu-chih Lai

Product details

  • ISBN 9781138200135
  • Weight: 997g
  • Dimensions: 174 x 246mm
  • Publication Date: 09 Jul 2018
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
Secure checkout Fast Shipping Easy returns

Visual Typologies from the Early Modern to the Contemporary investigates the pictorial representation of types from the sixteenth to the twenty- first century. Originating in longstanding visual traditions, including street crier prints and costume albums, these images share certain conventions as they seek to convey knowledge about different peoples. The genre of the type became widespread in the early modern period, developing into a global language of identity. The chapters explore diverse pictorial representations of types, customs, and dress in numerous media, including paintings, prints, postcards, photographs, and garments. Together, they reveal that the activation of typological strategies, including seriality, repetition, appropriation, and subversion has produced a universal and dynamic pictorial language. Typological images highlight the tensions between the local and the international, the specific and the communal, and similarity and difference inherent in the construction of identity. The first full- length study to treat these images as a broader genre, Visual Typologies gives voice to a marginalized form of representation. Together, the chapters debunk the classification of such images as unmediated and authentic representations, offering fresh methodological frameworks to consider their meanings locally and globally, and establishing common ground about the operations of objects that sought to shape, embody, or challenge individual and collective identities.

Tara Zanardi is Associate Professor of Art History, Hunter College, CUNY, USA.

Lynda Klich is Assistant Professor of Art History, Hunter College, CUNY, USA.