Visualising the Empire of Capital

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A01=Martyn Hudson
aesthetics of modernity
Author_Martyn Hudson
Burning Library
Camera Obscura
Camera Obscura Metaphor
capital
capitalism
Category=DSA
Category=GLZ
Category=JBCC
Category=JHMC
Category=JPA
critical theory
Crystal Palace
Disjecta Membra
empire
empire of capital
Entire Social Formation
eq_bestseller
eq_biography-true-stories
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
Forest Owner
Giles Winterborne
Glass Metaphors
Hudson 2017b
Human Interior
Invisible War
machines
Machinic Assemblage
Magic Cap
Marx
Marx's Notebooks
Marxist analysis
Marx’s Notebooks
memory
memory and perception
mirrors
Mnemosyne Atlas
Moishe Postone
monsters
Neon Cultures
optics
Passage Des Panoramas
Polarising Lenses
Resolute Reader
seeing
senses
social aesthetics
social anthropology
Social Hell
social theory
Sociological Imaginary
sociology
utopia
vision
visual culture
visual culture studies
visual methods in social theory
visualisation
visualising
Wild Hops
Wood Pasture

Product details

  • ISBN 9780367784348
  • Weight: 453g
  • Dimensions: 156 x 234mm
  • Publication Date: 31 Mar 2021
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
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Methods of visualising modernity and capitalism have been central to classical social science. Those methods of seeing, specifically in the work of Marx, were attempts to capture visually the fragmenting edifice of capital in its death throes and were part of a project to hasten its demise - yet capitalism persisted and perpetuated itself in new forms, such that its demise now looks less likely than it did 150 years ago. This book argues for a new way of understanding Marx and a new way of approaching both capitalist modernity and Marx’s Capital by rethinking the nature of vision. Through studies of visualisation in relation to machines and the monstrous, memory, mirrors and optics, and the invisible, Visualising the Empire of Capital offers a new way of thinking about what capital is and its future. A new reading of - and against - Marx, this volume argues for new forms of sensual utopia while initiating antagonism to the empire of capital itself. As such, it will appeal to social theorists, social anthropologists and sociologists with interests in critical theory, visual culture and aesthetics.

Martyn Hudson is Lecturer in Art and Design History at Northumbria University, Newcastle, UK. He is the author of Critical Theory and the Classical World, The Slave Ship, Memory and the Origins of Modernity, Species and Machines and Ghosts, Landscapes and Social Memory.

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