Visualising Worlds

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A01=Martyn Hudson
Antiquity
archaeology
Author_Martyn Hudson
Barbary Initiates
Bede's World
Bede’s World
Cadbury Congresbury
capitalism
Category=JHB
Category=JHBA
Civilisational Collapse
civilisations
civilizations
classical sociological theory
collapse of civilisations
critical theory
cultural change analysis
cultural studies
cultural theory
Dark Ages
Dark Earth
disaster
Disjecta Membra
Early Medieval World
ecology
Eirik Bloodaxe
endwork
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
European Classification Systems
fiction
futures
Geological Analogies
Green Chapel
Grendel's Mother
Grendel’s Mother
historical sociology
Hudson 2017a
Hudson 2018b
human imagination studies
Icelandic Saga
lessons
Mediaeval
Medieval
Medieval Monster
modern world
monsters
Morbid Symptoms
Nether Realms
Neverland
Organic Reproduction
Pagan Antiquity
Pure Fabulation
Rachel Bespaloff
Romano British Cities
seeing
social production
social theory
social transformation
social worlds
sociology
virus
visual approaches to social worlds
visualising
Water Voles
Wealth Inclusion
world-making

Product details

  • ISBN 9780367681647
  • Weight: 453g
  • Dimensions: 156 x 234mm
  • Publication Date: 31 May 2023
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
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This book examines the social production of our world, of the worlds of the past and of the worlds of the future, considering the ways in which worlds are created in both actuality and imagination. Bringing together central concepts of classical sociology, including social change, transformation, individuation, collectivisation and human imagination and practice, it draws lessons from the collapse of Graeco-Roman antiquity for our own world of virus and ecological disasters, considers the genesis of capitalism and intimates its ending. Rooted in classical sociology yet challenging its traditions and objects of study, Visualising Worlds: World-Making and Social Theory adopts new ways of thinking about visuality, aesthetics and how we ‘see’ social worlds, and how we then begin to build them. As such, it will appeal to scholars across the social sciences with interests in social theory, historical sociology, cultural studies, critical theory, archaeology, and the emergence, change and collapse of civilisations.

Martyn Hudson is Lecturer in Art and Design History at Northumbria University, Newcastle, UK. He is the author of Visualising the Empire of Capital, Critical Theory and the Classical World, Species and Machines, Ghosts, Landscapes and Social Memory and The Slave Ship, Memory and the Origins of Modernity.

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