Regular price €26.50
Quantity:
In stock with our UK publisher. 14-28 days
Delivery/Collection within 10-20 working days
14 days return policy Shipping & Delivery
A01=Francesca Hardy
A01=Francesca Minnie Hardy
Age Group_Uncategorized
Age Group_Uncategorized
Agnes Varda
Author_Francesca Hardy
Author_Francesca Minnie Hardy
automatic-update
bodily turn
Category1=Non-Fiction
Category=APF
Category=ATF
Category=CFB
COP=United Kingdom
Delivery_Delivery within 10-20 working days
eq_art-fashion-photography
eq_bestseller
eq_dictionaries-language-reference
eq_isMigrated=2
eq_nobargain
eq_non-fiction
Film
film analysis
film theory
film-philosophy
Jean-Luc Nancy
Language_English
Michael Haneke
PA=Available
Price_€20 to €50
PS=Active
softlaunch

Product details

  • ISBN 9781474436960
  • Dimensions: 156 x 234mm
  • Publication Date: 17 Jul 2023
  • Publisher: Edinburgh University Press
  • Publication City/Country: GB
  • Product Form: Paperback
  • Language: English
Secure checkout Fast Shipping Easy returns
Establishes resonance as a critical and conceptual paradigm for film analysis Brings together, for the first time, the work of three of the leading figures in European film: Agn s Varda, Michael Haneke and Jean-Luc NancyEstablishes resonance as a critical and conceptual paradigm for film analysis by untethering it from sonority and foregrounding how it deals with matter in movement, exploring it philosophically, critically and sensuously Yokes together discussions of resonance, the image, the body and being from across Nancy's oeuvre in order to illustrate how they demonstrate a particular propensity for the study of film Elaborates further the Nancean vernacular, in particular resonance, being, the image, filmer/to film and blood Since the pioneering work of Vivian Sobchack, Laura U. Marks and Jennifer M. Barker, film studies has increasingly embraced multisensory spectatorship. Such approaches privilege a carnal vision and knowledge of the world. Vital Resonances furthers this work and attunes to what is a foundational, yet overlooked, principle of film studies' bodily turn: resonance. In keeping with the soft touch that characterises some of this turn's critical literature the feel of velvet, the (frustrated) tactility of a sari, the skin of a lover's body resonance has been brushed over. Through the work of three leading figures in European cinema, Agn s Varda, Michael Haneke and Jean-Luc Nancy, this book establishes resonance as a critical and conceptual paradigm for film analysis, transforming it from a footnote to the bodily turn and finally placing it at the forefront of our fleshy encounter with film.
Francesca Hardy is Senior Lecturer in the College of Art, Architecture, Design and Humanities, at Nottingham Trent University Francesca Hardy is Senior Lecturer in the College of Art, Architecture, Design and Humanities, at Nottingham Trent University

More from this author