Vivaldi
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academic studies of Vivaldi scholarship
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B01=Michael Talbot
Baroque musicology
Bassoon Concerto
Bella Brover-Lubovsky
Biblioteca Nazionale Universitaria
Carlo Vitali
Category1=Non-Fiction
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Category=AVP
Chamber Cantata
Chamber Concertos
Claudio Gallico
Colin Timms
Conservatorio Di Musica
COP=United Kingdom
Cum Sancto Spiritu
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early modern music research
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Fabrizio Della Seta
Federico Maria Sardelli
Gastone Vio
Internal Slow Movement
Jasmin Cameron
Johann Georg Pisendel
Juditha Triumphans
Karl Heller
Kees Vlaardingerbroek
La Cetra
La Stravaganza
Language_English
manuscript analysis
Michael Talbor
music genre studies
Nicholas Lockey
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Parallel Minor Key
Paul Everett
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Reinhard Strohm
Relative Major Key
Rudolf Rasch
RV 639a
sacred choral analysis
Sacred Vocal Music
softlaunch
Stile Antico
Terra Pax Hominibus
Tito Manlio
Trio Sonata
Turin Collection
Turin Manuscripts
Venetian music history
Vivaldi's Cantatas
Vivaldi's Music
Vivaldi's Op
Vivaldi's Works
Vivaldi’s Cantatas
Vivaldi’s Music
Vivaldi’s Op
Vivaldi’s Works
William C. Holmes
Product details
- ISBN 9781032918662
- Weight: 980g
- Dimensions: 174 x 246mm
- Publication Date: 14 Oct 2024
- Publisher: Taylor & Francis Ltd
- Publication City/Country: GB
- Product Form: Paperback
- Language: English
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Since 1978, the 300th anniversary of Vivaldi's death, there has been an explosion of serious writing about his music, life and times. Much of this has taken the form of articles published in academic journals or conference proceedings, some of which are not easy to obtain. The twenty-two articles selected by Michael Talbot for this volume form a representative selection of the best writing on Vivaldi from the last 30 years, featuring such major figures in Vivaldi research as Reinhard Strohm, Paul Everett, Gastone Vio and Federico Maria Sardelli. Aspects covered include biography, Venetian cultural history, manuscript studies, genre studies and musical analysis. The intention is to serve as a 'first port of call' for those wishing to learn more about Vivaldi or to refresh their existing knowledge. An introduction by Michael Talbot reviews the state of Vivaldi scholarship past and present and comments on the significance of the articles.
Michael Talbot, Emeritus Professor, University of Liverpool, UK
