Vocal Music and Contemporary Identities

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Asia
Brian Ferneyhough
Category=AVLA
Category=AVLP
Category=GTM
Category=JBCC
Category=JBCC1
CCP.
Ce Ne
Contemporary
Cui Jian
cultural hybridity
Dieter Schnebel
eq_art-fashion-photography
eq_bestseller
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eq_isMigrated=2
eq_music
eq_nobargain
eq_non-fiction
eq_society-politics
ethnomusicology
Helmut Lachenmann
Hwang Byungki
identity construction
intercultural vocal performance analysis
International Phonetic Association
IPA Chart
Japanese Popular Music
Korean Musical Tradition
Korean Pop Music
Mainstream Melody
Memory Palace
Music
musicology
Pe Rc
Popular Music
Red Songs
Red Sun
Research
Rst Century
sound studies
Traditional Vocal Music
Transnational Chinese Identity
Vice Versa
Vocal
vocal techniques
Voice
Young Man

Product details

  • ISBN 9781138108035
  • Weight: 453g
  • Dimensions: 152 x 229mm
  • Publication Date: 24 May 2017
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
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Looking at musical globalization and vocal music, this collection of essays studies the complex relationship between the human voice and cultural identity in 20th- and 21st-century music in both East Asian and Western music. The authors approach musical meaning in specific case studies against the background of general trends of cultural globalization and the construction/deconstruction of identity produced by human (and artificial) voices. The essays proceed from different angles, notably sociocultural and historical contexts, philosophical and literary aesthetics, vocal technique, analysis of vocal microstructures, text/phonetics-music-relationships, historical vocal sources or models for contemporary art and pop music, and areas of conflict between vocalization, "ethnicity," and cultural identity. They pinpoint crucial topical features that have shaped identity-discourses in art and popular musical situations since the1950s, with a special focus on the past two decades. The volume thus offers a unique compilation of texts on the human voice in a period of heightened cultural globalization by utilizing systematic methodological research and firsthand accounts on compositional practice by current Asian and Western authors.

Christian Utz is Professor of music theory and music analysis at the University of Music and Dramatic Arts in Graz, Austria. Frederick Lau is a Professor of Ethnomusicology at the University of Hawai’i at Mānoa.