Voice Terminal Echo (Routledge Revivals)
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A01=Jonathan Goldberg
Author_Jonathan Goldberg
Category=DDA
Category=DSA
Category=DSB
Category=DSBH
Contrarie Dy
deconstruction analysis
Eleventh Hour
English literary theory
eq_bestseller
eq_biography-true-stories
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_poetry
freccero
Hallowed Relics
herbert's
Herbert's Poems
Herbert's Texts
john
Lacanian psychoanalysis
Milton's Voice
miltonic
Miltonic Inscription
Miltonic Text
Mystic Pad
Ovidian myth reinterpretation
Perfecte Paterne
Poet's Economy
poststructuralist readings of early modern texts
Preventive Voice
Renaissance intertextuality
Renaissance Text
Samson's Final Act
Shakespearian Character
Shepheardes Calender
Slim Reed
solitary
Solitary Time
Sovereign Author
text
texts
time
Trivial Fond Records
troopers
True Hymne
Virgilian pastoral tradition
Voice Terminated
wanton
Wanton Troopers
Warning Voice
Watch Man
Product details
- ISBN 9781138823570
- Weight: 540g
- Dimensions: 138 x 216mm
- Publication Date: 01 Sep 2014
- Publisher: Taylor & Francis Ltd
- Publication City/Country: GB
- Product Form: Hardback
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First published in 1986, this title examines a set of English Renaissance texts by Shakespeare, Spenser, Herbert, Marvell and Milton, within the theoretic framework of postmodern thought. Following an opening chapter that argues for the value of this conjunction as a way of understanding literary history, subsequent chapters draw upon Jacques Derrida’s deconstruction of photocentrism and Jacques Lacan’s analysis of the agency of the letter to offer fully theorized readings. Throughout, there is a sustained concern with the transformations of such Ovidian figures as Narcissus and Echo, Perseus and Medusa, Orpheus and Eurydice, and with the echo effects of Virgilian pastoral, as paradigms for the interplay of voice and writing.
