Voices and Visions
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Contributions by Ruth R. Caillouet, Mary C. Carruth, Nancy Dixon, Kathleen Downes, Edward J. Dupuy, Shari Evans, Paul Fess, Carina Evans Hoffpauir, Leslie Petty, Heidi Podlasi-Labrenz, Tierney S. Powell, Shanna M. Salinas, Matthew Teutsch, and Marcus Charles Tribbett
Voices and Visions: Essays on New Orleans's Literary History examines a rich combination of writers and texts, from antebellum works like Martin R. Delany’s novel, Blake, and the poetry of Les Cenelles to Patricia Smith’s recent collection of poems, Blood Dazzler. The thirteen essays in Voices and Visions treat two hundred years of literature and include discussions on canonical, contemporary, and experimental writers. Authors often associated with New Orleans such as Kate Chopin, George Washington Cable, and Walker Percy are treated in new ways, as are well-known writers who are not often thought of in relation to the city: Charles Chesnutt, Eudora Welty, Zora Neale Hurston, and Joy Harjo.
Examining this wide array of voices demonstrates the myriad ways New Orleans’s storied past has affected its present. Scholars find enduring themes—race, gender, religion, disease, art—but do so in the context of emerging conversations. Essayists in the volume address such topics as New Orleans as part of the global South and the Black diaspora, the transformation of New Orleans after Hurricane Katrina, and the recovery of previously lost voices, including those of Native Americans and immigrants. They also discuss the legacy of pandemics and racial violence that in more recent years has been manifest in the COVID-19 outbreak and the Black Lives Matter movement.
Voices and Visions: Essays on New Orleans's Literary History examines a rich combination of writers and texts, from antebellum works like Martin R. Delany’s novel, Blake, and the poetry of Les Cenelles to Patricia Smith’s recent collection of poems, Blood Dazzler. The thirteen essays in Voices and Visions treat two hundred years of literature and include discussions on canonical, contemporary, and experimental writers. Authors often associated with New Orleans such as Kate Chopin, George Washington Cable, and Walker Percy are treated in new ways, as are well-known writers who are not often thought of in relation to the city: Charles Chesnutt, Eudora Welty, Zora Neale Hurston, and Joy Harjo.
Examining this wide array of voices demonstrates the myriad ways New Orleans’s storied past has affected its present. Scholars find enduring themes—race, gender, religion, disease, art—but do so in the context of emerging conversations. Essayists in the volume address such topics as New Orleans as part of the global South and the Black diaspora, the transformation of New Orleans after Hurricane Katrina, and the recovery of previously lost voices, including those of Native Americans and immigrants. They also discuss the legacy of pandemics and racial violence that in more recent years has been manifest in the COVID-19 outbreak and the Black Lives Matter movement.
Nancy Dixon teaches English and chairs the English Program at Dillard University. She has edited several books about New Orleans, its literature, and history, and she served as executive editor of New Orleans & The World: 1718-2018 Tricentennial Anthology.
Leslie Petty is professor of English and the T.K. Young Chair of English Literature at Rhodes College in Memphis, Tennessee. Her work has appeared in journals such as Studies in the American Short Story and Legacy. She also serves as executive coordinator for the American Literature Association.
Leslie Petty is professor of English and the T.K. Young Chair of English Literature at Rhodes College in Memphis, Tennessee. Her work has appeared in journals such as Studies in the American Short Story and Legacy. She also serves as executive coordinator for the American Literature Association.